- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
This quote describes the ecstatic, magical quality of Chris and Margaret’s summer romance. Yet there’s an ambivalent quality about it, too. Chris’s memories of Margaret’s features are curiously indistinct. She blends into her surroundings (“girl in white,” “assume their greyness,” “become a green shade”), suggesting that in Chris’s eyes, Margaret takes on the qualities that he’s already inclined to see. At the time, this featureless sort of beauty convinces Chris that he will always love her, despite time, age, and change. These vague, rather mystical memories add to the complexity surrounding Chris and Margaret’s relationship. On one hand, Margaret has…