- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
As Agnes climbs the ladder of The Nellie J. Banks, wearing denim jeans which she initially found scandalous and nearly blasphemous, she realizes that what she’d once considered men’s clothing allows her much greater ease of movement. Agnes’s realization that jeans are far easier for her to move around in than her traditional, modest women’s skirt works as a brief but noteworthy representation of how she will be freed and able to act and think more confidently and capably as she unburdens herself from Gilead’s narrow and confining gender roles. In the same way that pants make it easier for…