- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
As In-hye sits with Yeong-hye, she recalls how her husband had recently called her, asking if he could see Ji-woo. In-hye hung up without speaking to him, but affirmed that her husband was a stranger to her, talking to the already hung up receiver. The end of the brother-in-law’s arc here emphasizes two of Han’s major themes: first, how those who break society’s conventions, as the brother-in-law did in his provocative art and his affair with Yeong-hye, are often outcast from it. The brother-in-law had completely given up his responsibilities as a father, and thus was punished by being prevented…