- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
The statue is so lifelike (or maybe is just Hermione herself) that Leontes becomes overwhelmed with regret and sorrow and begins weeping. Camillo, along with Polixenes, tries to calm him down and assure him that he has grieved enough and showed enough sorrow for his loss. Connecting back to the seasons, Camillo says that Leontes' sorrow was more than adequate, and that sixteen winters could not disrupt it, nor could the summers dry it. He asserts that no joy or sorrow has ever lasted as long as this grief.
The juxtaposition in these lines of summer and winter, grief and…