- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
This passage comes as Refentše and Lerato, from heaven, watch the “film” of Piet’s ill-fated life in Alexandra. Molori’s mother fell ill, and he and his uncle called on a local bone thrower to explain why she was sick.
This passage reads as ironic, since just a page earlier the narrator explained that this bone thrower made it his business to know all of the people in the area’s family trees. Thus, the bone thrower is actually using his knowledge of Molori’s family (not any mystical power) to accuse Piet and his mother of treachery. Molori’s “reasoning,” then, is supposed…