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As Bernice approaches the barbershop where her hair is to be cut, Fitzgerald employs metaphors and allusions to the French Revolution to heighten the dramatic tension:
[...] Sevier Barber-Shop. It was a guillotine indeed, and the hangman was the first barber, who, attired in a white coat and smoking a cigarette, leaned nonchalantly against the first chair. He must have heard of her; he must have been waiting all week, smoking eternal cigarettes beside that portentous, too-often-mentioned first chair. Would they blind-fold her? No, but they would tie a white cloth round her neck lest any of her blood—nonsense—hair—should get on her clothes.
The metaphors of the barbershop as a "guillotine" and the barber as a "hangman" emphasize the emotional stakes of getting the bob for Bernice. By comparing the haircut to an execution, the author shows how intensely Bernice feels the finality of her decision to bob her hair. This metaphor does more than suggest the severity of the act in Bernice's mind. It also highlights the irreversible nature of the change she thinks she’s about to make. It’s not a temporary decision, as a haircut might usually be thought of. To Bernice, it’s a life-altering event.
The allusions to the guillotine and the hangman at the end of the passage invoke the Reign of Terror during the French Revolution. During the time following the creation of the French Republic in the 1790s, France was overtaken by a wave of public executions and massacres of the clergy, the aristocracy, and other “traitors.” This historical reference compounds the sense of dread and foreboding that overtakes Bernice. The narrator directly aligns Bernice’s personal crisis with this period of intense political upheaval and violence. Through this, the allusion underlines the political statement that bobbing one's hair during this time implied. It was a visible marker of rejecting former ideals of feminine beauty, an obvious and irreversible marker of defiance. The haircut is not just a personal choice but a visible declaration of opinion and alignment. The imagery of Bernice being blindfolded and having a white cloth tied around her neck to catch her "blood" (hair) is a further reference to this. To her, the cutting instruments the barber will use might as well be a guillotine, not a razor and scissors.

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Common Core-aligned