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During their time spent at "The Four Winds," Frenchie and Rose share an intimate moment in Frenchie's bed—the adolescent boy's first romantic encounter. As such, this moment carries great narrative and emotional significance. Dimaline's choice to incorporate hyperbole into Frenchie's inner monologue reflects this:
I swallowed hard and breathed slow and steady, like you do when you have game in sight and you don’t want to scare it off. I hoped the concentration would take my excitement away. But then she moved her hand to cover mine and I almost died. It was such exquisite clarity of blood and skin and breath that I felt like crying. Instead I let her lace her fingers through mine and tilted my neck so that my face lined up with hers.
Frenchie hyperbolically asserts that he "almost died" when Rose touched him. This is an exaggeration, fueled by the immediacy and strength of young, newly emergent love and sexual awakening. Such an instance of overstatement is all the more poignant for the fact that both Rose and Frenchie have actually faced death and survived. During this intimate encounter, Frenchie "almost die[s]," but from joy and anticipation rather than starvation or dream extraction. Moments like this are crucial to the plot of The Marrow Thieves, representing hope in the midst of tragedy and terror.












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Common Core-aligned