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En route to Mr. Hyde’s secret house in Soho, a neighborhood known at this time for its criminality, Mr. Utterson observes an early morning fog settling over the district early on in Chapter 4, describing this mist with vivid imagery:
A great chocolate covered pall lowered over heaven [...] as the cab crawled from street to street, Mr. Utterson beheld a marvelous number of degrees and hues of twilight; for here it would be dark like the back end of evening; there it would be the glow of a rich, lurid brown [...]. The dismal quarter of Soho [...] seemed, in the lawyer’s eyes, like a district of some city in a nightmare.
Here, Stevenson meaningfully evokes an atmosphere of gloom, fear, and confusion as Utterson moves closer and closer to Hyde. Stevenson’s depiction of this morning in London is dreamlike, frightening, and classically Gothic. The fog plunges the city into darkness, even early in the day, making otherwise recognizable neighborhoods impossible to identify. That this mist’s appearance coincides with Utterson’s trip to Hyde’s house lends a sense of tension to the narrative. In order to enter Hyde’s home, Utterson must make the descent with the police officer into deeper and deeper physical and spiritual darkness, blind to what could be playing out around them.
The rich visual imagery in this paragraph also references the symbolic role of fog or mist in the text as the marker of hidden or forbidden knowledge. This thick fog mirrors the mist of Utterson’s dream earlier in the text, in which he traverses a labyrinth before meeting with Hyde himself. It also recalls the fog that falls after Carew’s murder, as Hyde takes refuge once again in Jekyll. The fog’s presence denotes this neighborhood as a center or hub of secret and illicit activity.

Teacher
Common Core-aligned