
|
|
Have questions?
Contact us
Already a member? Sign in
|
In Richard’s opening soliloquy, he uses tactile imagery and verbal irony to lay down the emotional foundation for his character and motivations.
Now is the winter of our discontent
Made glorious summer by this sun of York;
These opening lines employ tactile imagery to create vivid, evocative sensations, allowing readers to “feel” Richard's emotional turmoil as if it's a condition of the weather. He begins with "winter of our discontent," a phrase that summons cold, barren, and dark landscapes to the mind's eye. He evokes the chill of this metaphorical winter, describing his sense of desolation and frustration. The tactile imagery then shifts in the opposite direction with the mention of a "glorious summer" and the "sun of York.” This sensory language evokes warmth, light, and fertility. The stark contrast between the cold winter and warm summer seasons forms a sensory representation of Richard's inner conflicts. It’s somehow summer for everyone else and “winter” for him, because he’s so frustrated and dissatisfied.
Richard's soliloquy is also ripe with verbal irony. The traditional relief associated with the transition from harsh winter to pleasant summer is subverted with Richard's first couple of lines. Instead of finding joy in the metaphorical "summer" brought by the "sun of York," Richard feels displeasure. His inability to relish the "summer" of peace and prosperity reveals a sense of alienation from those around him. He wishes to see others suffer as he does, reflecting his readiness to disrupt the prevailing peace in England. His “summer,” he implies, won’t come until everybody else experiences their own “winter.”

Teacher
Common Core-aligned