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Macbeth's soliloquy in Act 2, Scene 1 demonstrates his feelings of guilt and self-loathing and foreshadows the madness that will consume him and Lady Macbeth in the aftermath of Duncan's murder.
This soliloquy includes various types of sensory imagery. Macbeth's senses become muddled, and he struggles to determine whether the dagger that he sees pointing the way to Duncan's chamber is real or illusory:
Macbeth: Is this a dagger which I see before me,
The handle toward my hand? Come, let me clutch
thee.
I have thee not, and yet I see thee still.
Art thou not, fatal vision, sensible
To feeling as to sight? Or art thou but
A dagger of the mind, a false creation
Proceeding from the heat-oppressèd brain?
I see thee yet, in form as palpable
As this which now I draw.
This confusion of visual and tactile imagery echoes the Weird Sisters' claim in Act 1, Scene 1 that "Fair is foul and foul is fair." Although the dagger appears to be "fair" or real, the fact that Macbeth cannot touch it makes him suspicious that his guilt and anxiety about Duncan's murder are causing him to hallucinate:
Macbeth: Mine eyes are made the fools o’ th’ other senses
Or else worth all the rest. I see thee still,
And, on thy blade and dudgeon, gouts of blood,
Which was not so before. There’s no such thing.
It is the bloody business which informs
Thus to mine eyes.
In addition to this uncertainty regarding the reliability of his senses, Macbeth also worries that the ground itself, having heard him entering Duncan's chamber, will be able to reveal his crime to the world:
Macbeth: Thou sure and firm-set earth,
Hear not my steps, which way they walk, for fear
Thy very stones prate of my whereabouts
Macbeth's paranoia regarding sound foreshadows the moment in Act 2, Scene 2, when he thinks he hears a voice say "Sleep no more!"
The soliloquy also contains several allusions to mythology and history, which help demonstrate how Macbeth views the act he is about to commit. Macbeth references Hecate, the ancient Greek goddess of witchcraft, as well as the Roman prince Sextus Tarquinius:
Macbeth: Witchcraft celebrates
Pale Hecate’s off’rings, and withered murder,
Alarumed by his sentinel, the wolf,
Whose howl’s his watch, thus with his stealthy pace,
With Tarquin’s ravishing strides, towards his
design
Moves like a ghost.
The reference to Hecate suggests that Macbeth views the murder of Duncan as an act that, like witchcraft, goes against the natural order of things. By mentioning Sextus Tarquinius, who famously raped a Roman noblewoman, Macbeth also suggests that the murder of Duncan is an act of defilement as morally repugnant as sexual assault.












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Common Core-aligned