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By blinding Gloucester, Shakespeare creates fertile ground for dramatic irony, as the audience will always have more information than Gloucester can visually perceive. Shakespeare makes use of this situation on numerous occasions, including to almost humorous effect when Edgar leads Gloucester to the “cliffs of Dover” in Act 4, Scene 6. Edgar is supposed to help the Earl take his own life by guiding him to the cliff's edge, but Edgar opts to keep him on flat ground instead. When Gloucester makes his "leap," Edgar acts as though his father has miraculously survived a massive fall:
Edgar: And yet I know not how conceit may rob
The treasury of life when life itself
Yields to the theft. Had he been where he thought,
By this had thought been past. Alive or dead?—
Ho you, sir, firend! Hear you, sir? Speak.—
Thus might he pass indeed. Yet he revives.—
What are you, sir?Gloucester: Away, and let me die.
Edgar: Hadst thou been aught but gossamer, feathers, air,
So many fathom down precipitating,
Thou’dst shivered like an egg; but thou dost breathe,
[…]
Thy life’s a miracle. Speak yet again.Gloucester: But have I fall’n or no?
By tricking Gloucester into thinking that he has survived a dramatic attempt at suicide, Edgar is able to convince him that the gods hold him in their favor. For the fallen Earl, who remained faithful even at the moment he believed he would die, this must seem a divine miracle. To the audience, however, the scene is decidedly more somber. Well-meaning or not, Edgar’s manipulation of his father’s faith is just another example of the continued subversion of authority—divine or not—that pervades King Lear.












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