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Parody
Explanation and Analysis—Wordsworthian Travesty:

In Chapter 8, the White Knight recites a song called either "Haddock's Eyes," "The Aged Aged Man," "Ways and Means," or "A-sitting On A Gate." Like many of the other poems and songs in the novel, this song relies on imagery to introduce elements of parody:

And now, if e’er by chance I put

My fingers into glue,

Or madly squeeze a right-hand foot Into a left-hand shoe,

Or if I drop upon my toe

A very heavy weight,

I weep, for it reminds me so

Of that old man I used to know—

[...]

Who rocked his body to and fro,

And muttered mumblingly and low,

As if his mouth were full of dough,

Who snorted like a buffalo——

That summer evening long ago,

A-sitting on a gate.”

The nostalgic tone of the poem—and the way it describes the power of ordinary images to transport the speaker emotionally—evokes the poetry of William Wordsworth. In particular, the speaker's fascination with a humble old man he once saw in passing years ago evokes Wordsworth's famous description of a leech-gatherer in his poem "Resolution and Independence." Wordsworth and his sister Dorothy really did run into an old man who made his livelihood collecting leeches in the countryside, and he spun this encounter into a reflective, image-filled poem about old age, labor, and loneliness.

The tone and overall narrative of the White Knight's poem bring up all these themes, and the old man seems to be a nod to the leech-gatherer. But the language the White Knight uses is much sillier and nonsensical than Wordsworth's language. Putting one's fingers in glue, putting a shoe on the wrong foot, and dropping a weight on one's toe are all images that evoke slapstick, physical humor. When the speaker is acting foolish in this way, he thinks of this foolish old man who talks strangely, "as if his mouth were full of dough." Readers might critique the poem for mocking what seems to be a speech-related disability, but within the context of the novel, both the speaker and this man are comedic figures, not noble figures like the leech-gatherer. It is supposed to be absurd that the speaker is weeping rather than laughing at the memory of this man.

Wordsworth's poetry was very popular in the 19th century. In fact, to the frustration of many in the diverse world of poetry, it is still some of the poetry most commonly taught to schoolchildren throughout the British Commonwealth. Alice would almost certainly have encountered it at school or at home. Alice notes that the White Knight's "original" song is set to a tune she has heard before, and its reminiscence to Wordsworth's poetry further supports the idea that Alice is dreaming everything that happens in the Looking-Glass World, putting together bits and pieces of knowledge floating around her own head. Carroll's choice to parody Wordsworth is also notable given that Wordsworth, like Carroll, knew a young girl who was a muse for some of his writing. The "Lucy" poems describe a precocious young girl who sometimes seems wise beyond her years, just like Alice. Carroll, who was cagey about the notion that Alice Liddell was his muse, seems to be playing with the idea that he or Wordsworth should be interpreted quite as seriously as they are by literary critics.

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    Romeo
    (aside) She speaks.
    O, speak again, bright angel! For thou art
    As glorious to this night, being o’er my head,
    As is a winged messenger of heaven
    Unto the white, upturnèd, wondering eyes
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    Deny they father and refuse they name.
    Or, if thou wilt not, be but sworn my love,
    And I’ll no longer be a Capulet.
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    Romeo
    (to himself) She speaks. Speak again, bright angel! For tonight you are as glorious, there up above me, as a winged messenger of heaven who makes mortals fall onto their backs to gaze up with awestruck eyes as he strides across the lazy clouds and sails through the air.
    Juliet
    O Romeo, Romeo! Why must you be Romeo? Deny your father and give up your name. Or, if you won’t change your name, just swear your love to me and I’ll give up being a Capulet.
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