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In Book 7, the reader gets a glimpse into a hopeful future for the Congo. Mobutu, stricken with cancer, has given up his dictatorship of the Congo, and an unknown narrator describes the hope this fresh start inspires with metaphorical language and personification:
Thirty-five years of sleep like death, and now the murdered land draws a breath, moves its fingers, takes up life through its rivers and forests. The eyes in the trees are watching. The animals open their mouths and utter joyful, astonishing words. The enslaved parrot Methuselah, whose flesh has been devoured now by many generations of predators, is forcing his declaration of independence through the mouths of leopards and civet cats.
In this passage, the personified land revives itself from its previous murder and becomes alive again. The murder of the land is a metaphor that could refer either to the destruction of Congolese self-determination or the destruction of the actual land for food and natural resources (or both). Personified animals "utter joyful, astonishing words," which makes the natural environment of Congo sound like a being with agency that desires self-determination and a capable government as much as the Congolese people do.
Methuselah, the Prices' pet parrot who was eaten after Nathan set him free, also returns as a symbol in this passage. Recall that Methuselah repeated the words and phrases of the Price family, the villagers, and Brother Fowles. Alongside curse words and Kikongo greetings, Methuselah also apparently picked up the call for Congolese independence. This reference to Methuselah could be read as a metaphor for those killed or harmed in fight for independence: despite their deaths, the call for independence survives, and their ideas continue to spread.












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Common Core-aligned