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Summary:

As Great Expectations progressed, Matilda began to feel sorry that Pip couldn’t fully enter her world. She laments that she was always visiting his life, creating what she calls a “one-way conversation.” Regardless, though, her bond to him as a character increased. “At some point I felt myself enter the story,” she writes. Beginning to frame aspects of her own life in terms of Great Expectations, she realized that—much like the divide between Pip’s difficult sister and his kindhearted uncle—there was a gulf between Mr. Watts and Dolores, and she began to intuit that she would have to choose between the two sides.

Analysis:

The differences Matilda senses between Dolores and Mr. Watts represent contrasting worldviews. Although Mr. Watts himself doesn’t challenge Dolores, it becomes clear to Matilda that she will offend her mother if she trades her own culture for Mr. ...

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Original

Romeo

(aside) She speaks.
O, speak again, bright angel! For thou art
As glorious to this night, being o’er my head,
As is a winged messenger of heaven
Unto the white, upturnèd, wondering eyes
Of mortals that fall back to gaze on him
When he bestrides the lazy-puffing clouds
And sails upon the bosom of the air.

Juliet

O Romeo, Romeo! Wherefore art though Romeo?
Deny they father and refuse they name.
Or, if thou wilt not, be but sworn my love,
And I’ll no longer be a Capulet.

Modern

Romeo

(to himself) She speaks. Speak again, bright angel! For tonight you are as glorious, there up above me, as a winged messenger of heaven who makes mortals fall onto their backs to gaze up with awestruck eyes as he strides across the lazy clouds and sails through the air.

Juliet

O Romeo, Romeo! Why must you be Romeo? Deny your father and give up your name. Or, if you won’t change your name, just swear your love to me and I’ll give up being a Capulet.

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