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There are men charged with the duty of examining the construction of the plants, animals, and soils, which are the instruments of the great orchestra. These men are called professors. Each selects one instrument and calls his life taking it apart and describing its strings and sounding boards. This process of dismemberment is called research. The place for dismemberment is called a university.
A professor may pluck the strings of his own instrument, but never that of another, and if he listens for music he must never admit it to his fellows or to his students. For all are restrained by an ironbound taboo which decrees that the construction of instruments is the domain of science, while the detection of harmony is the domain of poets.

Professors serve science and science serves progress. It serves progress so well that many of the more intricate instruments are stepped upon and broken in the rush to spread progress to all backward lands. One by one the parts are thus stricken from the song of songs. If the professor is able to classify each instrument before it is broken, he is well content.

Science contributes moral as well as material blessings to the world. Its great moral contribution is objectivity, or the scientific point of view. This means doubting everything except facts; it means hewing to the facts, let the chips fall where they may. One of the facts hewn to by science is that every river needs more people, and all people need more inventions, and hence more science; the good life depends on the indefinite extension of this chain of logic. That the good life on any river may likewise depend on the perception of its music, and the preservation of some music to perceive, is a form of doubt not yet entertained by science.
Science has not yet arrived on the Gavilan, so the otter plays tag in its pools and riffles and chases the fat rainbows from under its mossy banks with never a thought for the flood that one day will scour the bank into the Pacific, or for the sportsman who will one day dispute his title to the trout. Like the scientist, he has no doubts about this own design for living. He assumes that for him the Gavilan will sing forever.

Explanation and Analysis:

Leopold develops his sense of what education is, and is not, good for. Here, he criticizes academics whose field of study he believes to be too narrow. Leopold imagines the natural world as a symphony, but sees each professor as studying only a...

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Original

Romeo

(aside) She speaks.
O, speak again, bright angel! For thou art
As glorious to this night, being o’er my head,
As is a winged messenger of heaven
Unto the white, upturnèd, wondering eyes
Of mortals that fall back to gaze on him
When he bestrides the lazy-puffing clouds
And sails upon the bosom of the air.

Juliet

O Romeo, Romeo! Wherefore art though Romeo?
Deny they father and refuse they name.
Or, if thou wilt not, be but sworn my love,
And I’ll no longer be a Capulet.

Modern

Romeo

(to himself) She speaks. Speak again, bright angel! For tonight you are as glorious, there up above me, as a winged messenger of heaven who makes mortals fall onto their backs to gaze up with awestruck eyes as he strides across the lazy clouds and sails through the air.

Juliet

O Romeo, Romeo! Why must you be Romeo? Deny your father and give up your name. Or, if you won’t change your name, just swear your love to me and I’ll give up being a Capulet.

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