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I remember going along in the lorry and wanting to set it on fire so that we would be allowed to rest. What bothered me most was travelling on and on and on, wanting to urinate and not being able to because the lorry wouldn’t stop. […] It made me very angry and I used to ask my mother: ‘Why do we go to the finca?”. And my mother used to say: ‘Because we have to. When you’re older you’ll understand why we need to come.’ I did understand, but the thing was I was fed up with it all. When I was older, I didn’t find it strange any more. Slowly I began to see what we had to do and why things were like that. I realised we weren’t alone in our sorrow and suffering, but that a lot of people, in many different regions, shared it with us.

Explanation and Analysis:

The members of Rigoberta’s village alternate between working for four months in the mountains of the Altiplano and spending the remaining eight months of the year in coastal plantations known as fincas. Owners of the <...

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Original

Romeo

(aside) She speaks.
O, speak again, bright angel! For thou art
As glorious to this night, being o’er my head,
As is a winged messenger of heaven
Unto the white, upturnèd, wondering eyes
Of mortals that fall back to gaze on him
When he bestrides the lazy-puffing clouds
And sails upon the bosom of the air.

Juliet

O Romeo, Romeo! Wherefore art though Romeo?
Deny they father and refuse they name.
Or, if thou wilt not, be but sworn my love,
And I’ll no longer be a Capulet.

Modern

Romeo

(to himself) She speaks. Speak again, bright angel! For tonight you are as glorious, there up above me, as a winged messenger of heaven who makes mortals fall onto their backs to gaze up with awestruck eyes as he strides across the lazy clouds and sails through the air.

Juliet

O Romeo, Romeo! Why must you be Romeo? Deny your father and give up your name. Or, if you won’t change your name, just swear your love to me and I’ll give up being a Capulet.

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