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“I know you’re just the voice in my head,” I say. “You’re a figment of my imagination. I use you to escape from moments of great trauma.”

“Escape?” the man echoes. “What, like Slim over the Boggo Road walls? Escape from yourself, Eli, do ya, like the Houdini of your own mind?”

“773 8173,” I say. “That’s just the number we’d tap into the calculator when we were kids. That’s just ‘Eli Bell’ upside down and back to front.”

“Brilliant!” the man says. “Upside down and back to front, like the universe, hey Eli? You still got the axe?”

“Yes.”

“Good,” the man says. “He’s coming, Eli.”

Explanation and Analysis:

In Tytus Broz’s bunker, Eli has just accepted the red telephone from Bevan Penn and is now ostensibly speaking to August—though Eli insists he’s actually making August’s voice up in his mind. When Eli is able to say calmly and specifically that...

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Original

Romeo

(aside) She speaks.
O, speak again, bright angel! For thou art
As glorious to this night, being o’er my head,
As is a winged messenger of heaven
Unto the white, upturnèd, wondering eyes
Of mortals that fall back to gaze on him
When he bestrides the lazy-puffing clouds
And sails upon the bosom of the air.

Juliet

O Romeo, Romeo! Wherefore art though Romeo?
Deny they father and refuse they name.
Or, if thou wilt not, be but sworn my love,
And I’ll no longer be a Capulet.

Modern

Romeo

(to himself) She speaks. Speak again, bright angel! For tonight you are as glorious, there up above me, as a winged messenger of heaven who makes mortals fall onto their backs to gaze up with awestruck eyes as he strides across the lazy clouds and sails through the air.

Juliet

O Romeo, Romeo! Why must you be Romeo? Deny your father and give up your name. Or, if you won’t change your name, just swear your love to me and I’ll give up being a Capulet.

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