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Even if I’d known the right thing to say, I probably wouldn’t have said it. Speech destroys the functions of love, I think—that’s a hell of a thing for a writer to say, I guess, but I believe it to be true. If you speak to tell a deer you mean it no harm, it glides away with a single slip of its tail. The word is the harm. Love isn’t what these asshole poets like McKeun want you to think it is. Love has teeth; they bite; the wounds never close. No word, no combination of words, can close those lovebites. It’s the other way around, that’s the joke. If those wounds dry up, the words die with them. Take it from me. I’ve made my life from the words, and I know that it is so.

Explanation and Analysis:

When the gang finally makes it back to Castle Rock, Chris walks Gordie part of the way back toward his house. When they part, they say goodbye with a high-five that Gordie finds dissatisfying. In this passage, adult Gordie ruminates on all the ...

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Original

Romeo

(aside) She speaks.
O, speak again, bright angel! For thou art
As glorious to this night, being o’er my head,
As is a winged messenger of heaven
Unto the white, upturnèd, wondering eyes
Of mortals that fall back to gaze on him
When he bestrides the lazy-puffing clouds
And sails upon the bosom of the air.

Juliet

O Romeo, Romeo! Wherefore art though Romeo?
Deny they father and refuse they name.
Or, if thou wilt not, be but sworn my love,
And I’ll no longer be a Capulet.

Modern

Romeo

(to himself) She speaks. Speak again, bright angel! For tonight you are as glorious, there up above me, as a winged messenger of heaven who makes mortals fall onto their backs to gaze up with awestruck eyes as he strides across the lazy clouds and sails through the air.

Juliet

O Romeo, Romeo! Why must you be Romeo? Deny your father and give up your name. Or, if you won’t change your name, just swear your love to me and I’ll give up being a Capulet.

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