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“Marian, what have you got there?” [Ainsley] walked over to see. “It's a woman—a woman made of cake!” She gave Marian a strange look.

Marian chewed and swallowed. “Have some,” she said, “it's really good. I made it this afternoon.”

Ainsley's mouth opened and closed, fishlike, as though she was trying to take down the full implication of what she saw. “Marian!” she exclaimed at last, with horror. “You're rejecting your femininity!”

[…] Marian looked back at her platter. The woman laid there, still smiling glassily, her legs gone. “Nonsense,” she said. “It's only a cake.” She plunged her fork into the carcass, neatly severing the body from the head.

Explanation and Analysis:

After Peter leaves, Marian digs into the woman-shaped cake she has baked for him, her appetite having suddenly returned. That Marian now sees herself as an agent instead of passive is evident in the fact that Marian both creates and consumes, t...

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Original

Romeo

(aside) She speaks.
O, speak again, bright angel! For thou art
As glorious to this night, being o’er my head,
As is a winged messenger of heaven
Unto the white, upturnèd, wondering eyes
Of mortals that fall back to gaze on him
When he bestrides the lazy-puffing clouds
And sails upon the bosom of the air.

Juliet

O Romeo, Romeo! Wherefore art though Romeo?
Deny they father and refuse they name.
Or, if thou wilt not, be but sworn my love,
And I’ll no longer be a Capulet.

Modern

Romeo

(to himself) She speaks. Speak again, bright angel! For tonight you are as glorious, there up above me, as a winged messenger of heaven who makes mortals fall onto their backs to gaze up with awestruck eyes as he strides across the lazy clouds and sails through the air.

Juliet

O Romeo, Romeo! Why must you be Romeo? Deny your father and give up your name. Or, if you won’t change your name, just swear your love to me and I’ll give up being a Capulet.

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