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In the midst of the voices and the hands Ben sat, rapt in his sweet blue gaze. Dilsey sat bolt upright beside, crying rigidly and quietly in the annealment and the blood of the remembered Lamb.
As they walked through the bright noon, up the sandy road with the dispersing congregation talking easily again group to group, she continued to weep, unmindful of the talk…
“Whyn’t you quit dat, mammy?” Frony said. “Wid dese people looking. We be passin white folks soon.”
“I’ve seed de first en de last,” Dilsey said. “Never you mind me.”
“First en last whut?” Frony said.
“Never you mind,” Dilsey said. “I seed de beginnin, en now I sees de endin.”

Explanation and Analysis:

In a rare reversal, Benjy is alert and watching while Dilsey cries. The Easter service has moved Dilsey deeply, and when Frony pushes Dilsey after church to explain why she is crying Dilsey explains, “I’ve seed de first en de last.” Using the s...

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Original

Romeo

(aside) She speaks.
O, speak again, bright angel! For thou art
As glorious to this night, being o’er my head,
As is a winged messenger of heaven
Unto the white, upturnèd, wondering eyes
Of mortals that fall back to gaze on him
When he bestrides the lazy-puffing clouds
And sails upon the bosom of the air.

Juliet

O Romeo, Romeo! Wherefore art though Romeo?
Deny they father and refuse they name.
Or, if thou wilt not, be but sworn my love,
And I’ll no longer be a Capulet.

Modern

Romeo

(to himself) She speaks. Speak again, bright angel! For tonight you are as glorious, there up above me, as a winged messenger of heaven who makes mortals fall onto their backs to gaze up with awestruck eyes as he strides across the lazy clouds and sails through the air.

Juliet

O Romeo, Romeo! Why must you be Romeo? Deny your father and give up your name. Or, if you won’t change your name, just swear your love to me and I’ll give up being a Capulet.

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