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Themes and Colors
Coming of Age Theme Icon
Communication versus Silence Theme Icon
Appearance versus Reality Theme Icon
Family and Friendship Theme Icon
Isolation, Loneliness, and Depression Theme Icon
Memory and Trauma Theme Icon
LitCharts assigns a color and icon to each theme in Speak, which you can use to track the themes throughout the work.
Coming of Age Theme Icon

Like many novels with high school settings, Speak is deeply focused on ideas of growing up and coming of age. What makes this book’s exploration of that subject particularly poignant and pointed, however, is that Melinda has already experienced a major milestone of adulthood—losing her virginity—before the novel begins. The fact that this event occurred as the result of rape, however, has derailed Mel’s maturation, and for much of the book she clings to any remnants of childhood that she can find. As she begins high school (another milestone on the journey to adulthood), she acts in childish ways, from cutting class to hiding in her room, all while articulating a cynical attitude that she mistakenly believes to be “adult.” Melinda’s parents, meanwhile, are terrible examples of maturity, as they consistently act in ways that are childish, selfish, close-minded, and neglectful.

Ultimately, Melinda must become independent in order to begin growing up once more; as she begins to do yard work, bike, stand up to a bullying teacher, and express herself through art, she begins the maturation process that froze after her rape. Through much of the book, Melinda resents the idea of growing up, but by the narrative’s end, she has embraced the idea. After having her power to choose violently taken away from her, she has at last learned that adulthood is about agency, and that choosing to grow up is itself a mature decision.

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Coming of Age ThemeTracker

The ThemeTracker below shows where, and to what degree, the theme of Coming of Age appears in each chapter of Speak. Click or tap on any chapter to read its Summary & Analysis.
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Coming of Age Quotes in Speak

Below you will find the important quotes in Speak related to the theme of Coming of Age.
Part 1, Chapter 1 Quotes

I have entered high school with the wrong hair, the wrong clothes, the wrong attitude. And I don’t have anyone to sit with. I am Outcast.

Related Characters: Melinda Sordino (speaker)
Page Number: 4
Explanation and Analysis:

As Melinda begins her freshman year of high school, she reacts to her new environment with pessimism and dread. On one level, this quote reflects how sorely Melinda sticks out within the conformist world of Merryweather High. On a deeper level, Melinda's repetitive description of herself as "wrong" gives readers a sense of her deep self-hatred, and her lack of comfort within her own skin. By criticizing her own appearance, Melinda is unknowingly revealing the reality of her emotional state. Despite claiming frequently that she doesn't care what others think, Melinda's description of herself as an "Outcast" reveals that she is in fact thinking of herself in the way that others see her. Although she may pretend that her isolation doesn't bother her, Melinda is in fact acutely sensitive to her peers' opinions of her; in an effort to ignore their rejection and cruelty, she judges herself as harshly as possible. 


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Part 1, Chapter 6 Quotes

My room belongs to an alien. It is a postcard of who I was in fifth grade.

Related Characters: Melinda Sordino (speaker)
Related Symbols: Melinda’s Bedroom
Page Number: 15
Explanation and Analysis:

As she introduces readers to her childlike bedroom, Melinda reveals both her distance from her past self, and her longing for a time of innocence (fifth grade). By calling herself an "alien," Melinda makes clear that she no longer feels like the same person she was at age eleven. This would make sense for any adolescent, but for Melinda, it is especially and painfully true, considering the act of violence and violation that prematurely forced her into adulthood. 

At the same time, Melinda clearly misses the girl she was in fifth grade. The room is a "postcard," a message written by someone you miss and wish to see. Every time that she steps into her room, Melinda is reminded of the innocence that she has lost, and the child that she used to be. She is also reminded that appearance and reality are not the same thing—that no matter how childlike her room is, she herself is no longer a child, and never will be again. 

Part 1, Chapter 10 Quotes

I used to be like Heather. Have I changed that much in two months? She is happy, driven, aerobically fit. She has a nice mom and an awesome television. But she’s like a dog that keeps jumping into your lap. She always walks with me down the halls chattering a million miles a minute.
My goal is to go home and take a nap.

Related Characters: Melinda Sordino (speaker), Heather
Page Number: 24
Explanation and Analysis:

While spending time at Heather's house, Melinda reflects on the other girl's shallow, vapid personality. This quote highlights the importance of Heather as a character within the novel. Not only does Heather force Melinda to actually interact with someone throughout the narrative, but she also represents both Melinda's past self and her current disillusionment. Like it or not, Heather reminds Melinda of the innocent, enthusiastic person she used to be.

Rather than increasing Melinda's positive feelings towards Heather, however, this association only makes the protagonist feel more annoyed and hostile towards her semi-friend. She sees her old self as vapid, naive, and idiotic, and attributes all those traits to Heather as well.

Beneath this anger, however, is a deep sense of sadness, pain, and envy. As we often see within the book, Melinda longs for the person she used to be, her anger at her past self masking how much she misses her lost innocence. This mix of emotions makes her feelings towards Heather extraordinarily complex, but also helps to explain why she spends so much time with the other girl. 

Part 2, Chapter 8 Quotes

Applesmell soaks the air. One time when I was little, my parents took me to an orchard. Daddy set me high in an apple tree. It was like falling up into a storybook, yummy and red and leaf and the branch not shaking a bit. Bees bumbled through the air, so stuffed with apple they couldn’t be bothered to sting me. The sun warmed my hair, and a wind pushed my mother into my father’s arms, and all the apple-picking parents and children smiled for a long, long minute.

Related Characters: Melinda Sordino (speaker), Melinda’s mother, Melinda’s father
Related Symbols: Trees, Seeds, Plants, and Forests, Warmth and Sunlight
Page Number: 66
Explanation and Analysis:

Triggered by the scent of apples, Melinda remembers a beloved scene from her childhood. This quote stands out as an unusual one within the novel—it lacks Melinda's usual blend of cynicism and pain, instead representing a moment of positivity and beauty. Given Melinda's hatred of the way that she has been growing up lately, it makes sense that she would be extremely nostalgic for her earlier childhood, as is shown here. Importantly, this memory also represents a time of connection between Melinda and her parents, during which they were an actual loving family, instead of simply three people living in the same house.

It's also worth noting that both trees and sunlight figure heavily into this treasured memory—two important and positive symbols within the narrative. Trees represent strength and rebirth to Melinda, while the sun represents the gradual thawing of her inner sense of frozenness. That they both show up within this passage makes clear how important the memory is to her, while also explaining her positive associations with these symbols. 

Despite the beauty and happiness contained within this passage, it is important to remember that to Melinda, this feeling of innocence and connection is completely lost. The memory is a good one, but she believes that she will never feel happy or whole again—so although she is recollecting a blissful moment in her past, the very act of doing so is deeply painful to her. 

Part 2, Chapter 11 Quotes

I bet they’d be divorced by now if I hadn’t been born. I’m sure I was a huge disappointment. I’m not pretty or smart or athletic. I’m just like them— an ordinary drone dressed in secrets and lies. I can’t believe we have to keep playacting until I graduate. It’s a shame we can’t just admit that we have failed family living, sell the
house, split the money, and get on with our lives.

Related Characters: Melinda Sordino (speaker), Melinda’s mother, Melinda’s father
Page Number: 70
Explanation and Analysis:

Stuck with her parents during winter break, Melinda vocalizes her anger at both herself and her parents. She first calls herself a "disappointment" for being like her parents, whom she believes are dishonest and secretive. She then goes even further, calling her relationships with her mother and father (and theirs with each other) a sham, implying that they are "playacting" as a family instead of actually being one. 

Beneath this venom and cynicism, however, it is important to understand Melinda's pain and loneliness. Her parents were unable to protect her from assault, and now they are unable to understand why she has become a shell of her former self. Melinda is deeply angry about this, believing that her parents' insufficiencies make them unfit to be parents.

Although she may seem like someone who pushes others away, what Melinda actually craves is connection and communication—and her parents seem unable to provide those things to her. Given this failure, the traumatized and desperate Melinda believes that it would be better to cut ties altogether to avoid any more pain and suffering. 

I almost tell them right then and there. Tears flood my eyes. They noticed I’ve been trying to draw. They noticed. I try to swallow the snowball in my throat. This isn’t going to be easy. I’m sure they suspect I was at the party. Maybe they even heard about me calling the cops. But I want to tell them everything as we sit there by our plastic Christmas tree while the Rudolph, the Red-Nosed Reindeer video plays.

Related Characters: Melinda Sordino (speaker), Melinda’s mother, Melinda’s father
Related Symbols: Water, Ice, and Melting
Page Number: 72
Explanation and Analysis:

On Christmas Day, Melinda's parents reveal that they've noticed her newfound love of drawing, and give her various art supplies. Although Melinda generally takes a cynical and hardened attitude towards her parents, here she experiences a moment of warmth towards them.

The passage is significant because it makes clear how desperate Melinda is to tell her parents about her assault--so desperate that even the smallest thoughtful gesture almost sends her over the edge. The quotation is also rich in symbolism, as Melinda feels a "snowball" in her throat—an image of solid water, in contrast with the "tears" in her eyes. The snowball represents how frozen and motionless Melinda has felt for months, while the tears symbolize the possibility of thaw and release.

The Rudolph the Red-Nosed Reindeer video, while a vivid detail, also acts as an important symbol here. In a bit of tragic irony, an emblem of childhood and innocence plays on the screen as Melinda contemplates telling her parents about her sexual assault. The childlike past that the video represents contrasts with the mature, difficult reality of Melinda's present. 

Part 3, Chapter 19 Quotes

Slush is frozen over. People say that winter lasts forever, but it’s because they obsess over the thermometer. North in the mountains, the maple syrup is trickling. Brave geese punch through the thin ice left on the lake. Underground, pale seeds roll over in their sleep. Starting to get restless. Starting to dream green.

Related Characters: Melinda Sordino (speaker)
Related Symbols: Trees, Seeds, Plants, and Forests, Birds, Water, Ice, and Melting, Warmth and Sunlight
Page Number: 133
Explanation and Analysis:

As the narrative progresses, Melinda's voice becomes slightly more hopeful. Emotionally frozen during the winter months, she begins to thaw as the weather turns towards spring. This passage illustrates the close relationship between Melinda's emotions and the changing of the seasons. The signs of spring—water thawing, birds returning, seeds growing—all have intensely symbolic and positive meanings for her. Water melts, just as her inward iciness melts as well. Birds fly free, just as Melinda hopes to one day be free of her trauma. Seeds grow from the cold ground, just like Melinda wishes to be reborn, and to come back from her trauma as strong as she was before. 

Like the "restless" seeds that are "dream[ing] green," Melinda too is starting to become restless, dreaming her way out of her cold, frozen shell. To her, spring is a metaphor for renewal and rebirth, processes in which she hopes to take part as well. Her close association with nature makes the tree an excellent subject for Melinda's artwork. Just as she uses natural metaphors to describe her own internal journey, so too will she use a representation of her tree to express her hidden emotions.  

I open my mouth to breathe, to scream, and his hand covers it. In my head, my voice is as clear as a bell: “NO I DON’T WANT TO!” But I can’t spit it out. I’m trying to remember how we got on the ground and where the moon went and wham! shirt up, shorts down, and the ground smells wet and dark and NO!— I’m not really here, I’m definitely back at Rachel’s, crimping my hair and gluing on fake nails, and he smells like beer and mean and he hurts me hurts me hurts me and gets up
and zips his jeans
and smiles.

Related Characters: Melinda Sordino (speaker), Andy Evans
Page Number: 135
Explanation and Analysis:

In this passage, at last, Melinda describes the details of her sexual assault. Her recounting makes clear the trauma at the root of her inability to speak: during the actual moments of her rape, Melinda was unable to cry out for help or in protest. It is this experience that has kept her from having a voice since. The description also helps illuminate the reasons for Melinda's guilt and self-loathing. She believes that, since she was unable to verbally or physically fight off her rapist, that she is partially responsible for her assault. This belief is common among victims of sexual assault, and has been crippling Melinda emotionally and mentally for months. 

The idea that "I'm not really here" also helps us learn more about Melinda's character and her coping mechanisms for trauma. Throughout the novel she has longed to leave her body, her school, and her family. Readers learn here that she employed this tactic in the midst of her rape, attempting to separate herself from her own body. Despite being unable to do so at the time, she has essentially been trying to do the same thing ever since. 

Part 4, Chapter 5 Quotes

His lips move poison and she smiles and then she kisses him wet. Not a Girl Scout kiss. He gives her the notebook. His lips move. Lava spills out my ears. She is not any part of a pretend Rachelle-chick. I can only see third-grade Rachel who liked barbecue potato chips and who braided pink embroidery thread into my hair that I wore for months until my mom made me cut it out. I rest my forehead against the prickly stucco.

Related Characters: Melinda Sordino (speaker), Andy Evans, Rachel Bruin
Related Symbols: Lips
Page Number: 150
Explanation and Analysis:

Melinda's worst nightmare comes true as her rapist, Andy Evans, begins dating her ex-best friend, Rachel Bruin. This passage offers an aching contrast between adulthood and childhood. In the present, Melinda sees a girl who has tormented her all year kissing the boy who violently raped her. Flashing back to the past, however, Melinda is unable to banish thoughts of her childhood with Rachel, or to stop remembering their lost innocence and former friendship. Her positive memories of Rachel are at war with her trauma surrounding Andy. 

Even at this point, though, Melinda is unable to speak. Completely at war with herself, she remains motionless, her impulse to protect herself in conflict with her desire to tell the truth and protect Rachel. 

Part 4, Chapter 7 Quotes

This looks like a tree, but it is an average, ordinary, everyday, boring tree. Breathe life into it. Make it bend— trees are flexible, so they don’t snap. Scar it, give it a twisted branch— perfect trees don’t exist. Nothing is perfect. Flaws are interesting. Be the tree.

Related Characters: Mr. Freeman (speaker), Melinda Sordino
Related Symbols: Trees, Seeds, Plants, and Forests
Page Number: 153
Explanation and Analysis:

While encouraging Melinda to continue working on her tree project, Mr. Freeman articulates one of the central beliefs at the core of the novel: that rather than attempting to escape the flaws and traumas in her past, Melinda must instead try to incorporate those experiences into her life. Urging Melinda to "Be the tree," Mr. Freeman hints that, on some level, he understands that he is talking not just about the art project, but about Melinda herself. He is a wise and empathetic teacher, and it makes sense that he would instinctively recognize his student's pain and her need to connect with others.

This passage also continues to support the idea of expression through art. Over and over, Mr. Freeman tells Melinda to put her feelings, her life, and herself into her artwork. Together, teacher and student work not just to create a satisfying final project, but to find a way for Melinda to find healing by creating a tree—a sentiment that is made clear within this quotation. 

Part 4, Chapter 9 Quotes

When I close the closet door behind me, I bury my face into the clothes on the left side of the rack, clothes that haven’t fit for years. I stuff my mouth with old fabric and scream until there are no sounds left under my skin.

Related Characters: Melinda Sordino (speaker), Andy Evans
Related Symbols: Melinda’s Closet
Page Number: 162
Explanation and Analysis:

After having seen Andy Evans, Melinda literally retreats into her childhood, heading to the back of her bedroom closet to scream. It is of course symbolic that Melinda chooses to take out her frustration, rage, and fear while surrounded by "clothes that haven't fit for years." Forced into adulthood long before she was ready, Melinda buries herself in memories of the childhood to which she can never return. 

Just as when she howls at the pep rally, Melinda specifically screams where there is no one to hear her, even stuffing old clothes in her mouth in order to silence herself. Even now, Melinda is still silencing herself, unable to believe that anyone will listen to or care about her pain and trauma. Rather than deal with that disappointment, she tries instead to isolate and muffle herself, choosing to be alone and in anguish rather than trust those who have previously let her down. 

Part 4, Chapter 22 Quotes

I crouch by the trunk, my fingers stroking the bark, seeking a Braille code, a clue, a message on how to come back to life after my long undersnow dormancy. I have survived. I am here. Confused, screwed up, but here. So, how can I find my way? Is
there a chain saw of the soul, an ax I can take to my memories or fears? I dig my fingers into the dirt and squeeze. A small, clean part of me waits to warm and burst through the surface. Some quiet Melindagirl I haven’t seen in months. That is the seed I will care for.

Related Characters: Melinda Sordino (speaker)
Related Symbols: Trees, Seeds, Plants, and Forests, Water, Ice, and Melting, Warmth and Sunlight
Page Number: 188
Explanation and Analysis:

Melinda returns to the scene of her rape and experiences a feeling of emotional release as she crouches by a tree. This passage represents one of the most intense instances of Melinda's identification with plants, trees, and nature. Recognizing that she has been frozen in place for months, Melinda here decides that she wants to come back, and to grow once more. 

At first, Melinda wonders whether she can cut away her trauma and terrible memories, but quickly realizes that this is not a real option. Instead, she decides that she must nurture the seeds of the person she used to be, until she can slowly grow into someone else. 

Communing with nature is a restorative act for Melinda. It helps remind her of who she is and who she wants to be, and gives her hope for the future. Although she acknowledges that she is "screwed up," Melinda is more optimistic and sincere here than we have ever seen her before. Returning to the scene of her trauma has had a healing effect on her, and gives both the protagonist and the readers hope that she may indeed continue to heal in the future. 

Part 4, Chapter 25 Quotes

I reach in and wrap my fingers around a triangle of glass. I hold it to Andy Evans’s neck. He freezes. I push just hard enough to raise one drop of blood. He raises his arms over his head. My hand quivers. I want to insert the glass all the way through his throat, I want to hear him scream. I look up. I see the stubble on his chin, a fleck of white in the corner of his mouth. His lips are paralyzed. He cannot speak. That’s good enough.
Me: “I said no.”

Related Characters: Melinda Sordino (speaker), Andy Evans
Related Symbols: Melinda’s Closet , Mirrors, Lips, Blood
Page Number: 195
Explanation and Analysis:

After Andy Evans attempts to rape Melinda a second time, she tells him no, and then defends herself with a shard of glass from a mirror in her closet. One of the most significant acts in the book, Melinda's defeat of Andy has huge narrative and symbolic implications. 

Andy has entered Melinda's closet, the one place where she felt safe—even before attempting to physically assault her again, he has already violated her. Subsequently, although Melinda screams no, he continues to try to rape her, proving that he would have done so over the summer whether or not she protested. 

Throughout the book, Melinda detests mirrors and her reflection, but here, however, a mirror becomes her most vital tool, as she uses a broken shard to threaten Andy. Although he has metaphorically broken her, Melinda is still able to fight back, using pieces of her own fractured identity to defend herself.

With his life in danger, Andy goes completely silent; as Melinda tells us, "He cannot speak." By raping her the previous summer, Andy took away Melinda's voice and her agency. Now, not only has she taken those things back, but she has temporarily silenced her assaulter, the man responsible for her anguish and isolation. She has made him utterly powerless, and she uses this opportunity to utter the sentence that she has been longing to say for months: "I said no." 

Part 4, Chapter 26 Quotes

IT happened. There is no avoiding it, no forgetting. No running away, or flying, or burying, or hiding. Andy Evans raped me in August when I was drunk and too young to know what was happening. It wasn’t my fault. He hurt me. It wasn’t my fault. And I’m not going to let it kill me. I can grow.
I look at my homely sketch. It doesn’t need anything. Even through the river in my eyes I can see that. It isn’t perfect and that makes it just right.

Related Characters: Melinda Sordino (speaker), Andy Evans
Related Symbols: Trees, Seeds, Plants, and Forests, Birds, Water, Ice, and Melting, Warmth and Sunlight
Page Number: 198
Explanation and Analysis:

Having finally created a tree that expresses her true self and her hidden trauma, Melinda is at last able to admit the truth to herself and to the readers, and explain what happened in clear terms. She at last cleanses herself of her guilt, acknowledging that her rape was not her fault, and that she will no longer remain frozen from the pain of the experience.

Creating art has indeed become a healing experience for Melinda, as a representation of her imperfect life, and her continued potential for growth. Although she has longed to escape throughout the narrative, Melinda now understands that flight is not possible; the only way she can continue living is to acknowledge her trauma and to continue growing as a person.

Melinda describes her tears as she finishes the sketch by saying that there is a "river" in her eyes. Throughout the novel, metaphors of freezing and ice have described Melinda's cold and static emotional state. Now, as she at last emerges, her "river" of tears represents the fact that she has thawed internally, and is ready to face the world again as a person with agency and a voice. 

“You’ve been through a lot, haven’t you?”
The tears dissolve the last block of ice in my throat. I feel the frozen stillness melt down through the inside of me, dripping shards of ice that vanish in a puddle of sunlight on the stained floor. Words float up.
Me: “Let me tell you about it.”

Related Characters: Melinda Sordino (speaker), Mr. Freeman (speaker)
Related Symbols: Water, Ice, and Melting, Warmth and Sunlight
Page Number: 198
Explanation and Analysis:

As Melinda and Mr. Freeman look at her tree sketch, Mr. Freeman reveals that he has at least guessed that Melinda has been through a traumatic experience. Always the most empathetic and understanding adult in the book, he is about to become the first person to whom Melinda fully tells her story. Given that his philosophy of art as self-expression has allowed Melinda to make her emotional journey, it makes sense that he should be the first to hear from her newfound voice.

Natural metaphors abound in this passage, as the last of Melinda's iciness melts away under Mr. Freeman's warmth and attention. The combination of fighting off Andy, making her tree, and Mr. Freeman's sympathetic ear have freed her from her frozen trauma. By "melting," Melinda is finally able to tell her story, and to reemerge into the world as a flawed but healing person who trusts others and is able to ease the burdens of her past by sharing them with those around her.

These are the final words of the novel—an optimistic ending for what is often a dark and upsetting book. By ending her narrative with Melinda telling her story to Mr. Freeman, author Laurie Halse Anderson is telling her readers that, just like Melinda's, their stories matter, and that there are those in the world who will listen to and understand them.