Twelfth Night

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Costumes Symbol Icon
The costumes that many characters wear represent different identities that people take on, as much in their everyday lives as when acting in a play. The costumes in the play show that a character or person's identity can change in different situations.

Costumes Quotes in Twelfth Night

The Twelfth Night quotes below all refer to the symbol of Costumes. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Desire and Love Theme Icon
). Note: all page and citation info for the quotes below refers to the Simon & Schuster edition of Twelfth Night published in 2004.
Act 1, scene 5 Quotes
He is very well-favored and he speaks very shrewishly; one would think his mother's milk were scarce out of him.
Related Characters: Malvolio (speaker), Viola (Cesario)
Related Symbols: Costumes
Page Number: 1.5.159-161
Explanation and Analysis:

Disguised as a man (Cesario), Viola visits Olivia in order to woo her for Duke Orsino. Olivia's steward, Malvolio, tells Olivia that there is a young man at the door. Olivia asks Malvolio to describe him and he responds with this quote. Here, he tells Olivia that her visitor (Viola) is "well-favored" or attractive, and speaks in a high-pitched voice ("shrewishly") as if he were a child. 

In this moment, Malvolio notes the gender ambiguity of Cesario without realizing he is in fact a woman. He writes off Cesario's femininity as a product of youth. This is a comedic moment for the audience; we know Cesario is actually Viola but no one else does. 

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Act 2, scene 4 Quotes
Viola: My father had a daughter loved a man,
As it might be, perhaps, were I a woman,
I should your lordship.
Orsino: And what's her history?
Viola: A blank, my lord. She never told her love,
But let concealment, like a worm i' the bud,
Feed on her damask cheek: she pined in thought,
And with a green and yellow melancholy
She sat like patience on a monument,
Smiling at grief. Was not this love indeed?
Related Characters: Viola (Cesario) (speaker), Orsino (speaker)
Related Symbols: Costumes
Page Number: 2.4.118-127
Explanation and Analysis:

The self-absorbed Orsino tells Cesario (Viola) that no woman could ever love a man as much as he loves Olivia. Cesario disagrees. She then tells him her own story (of the love she has for Orsino) in a roundabout way, pretending it is the story of her sister. Orsino is blinded once again by Viola's disguise, unaware of the irony of the situation. She is confessing her love for him, but is shielded by the mask of Cesario. Her own love also mimics Orsino's in its strength and melancholy—but it's also suggested that, contrary to Orsino's sexist declaration about women's capacity for love, Viola's love for Orsino is more enduring and powerful than his love for Olivia.

Act 5, scene 1 Quotes
Give me thy hand
And let me see thee in thy woman's weeds.
Related Characters: Orsino (speaker), Viola (Cesario)
Related Symbols: Costumes
Page Number: 5.1.285-286
Explanation and Analysis:

After finally identifying herself as a woman of noble blood to Orsino, Viola tells the court that she will return to the captain of her ship who will rightly identify her and return her clothes to her. Orsino then takes her hand and asks to see her in her "woman's weeds," or women's clothing.

Here we see how fickle or performative Orsino's love for Olivia truly is. The moment Viola reveals herself and identifies herself as not only a woman but a high class woman, he falls in love with her. This could simply be a result of the fact that Orsino's love for Olivia was merely a performance, or it could be that through her disguise, Orsino has begun to learn so much about Viola, and to love her deeply as an effeminate male comrade, that he is instantly smitten when he discovers that she is actually a woman. Of course, there are also complex issues of gender at work here (particularly as during Shakespeare's time, all the female characters would have been played by male actors), which Shakespeare uses to complicate the theme of love and (heterosexual) desire, and plays up for comic effect.

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