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Ferdinand (like the hyacinths) is at once completely African and also totally cut off from the place’s history, showing how the President’s project of “new Africa” is rapidly eroding the place’s relationship with itself. Ferdinand is entering a world informed and influenced by its colonial past but with no actual conception of what that past was like, which begins to illustrate the dangers of trying to erase or wipe away the past. The steamer’s cabin structure reflects how African society is still structured in intense hierarchy, and despite the President boasting the strength of the country’s new and unilateral African Dolorem et quae. Exercitationem non aut. Even