In the Dream House
In the Dream House
by Carmen Maria Machado

In the Dream House: 27. Dream House as Queer Villainy Summary & Analysis

Summary
Analysis
In the present, Machado thinks about how queer villains—like the “scheming gay butler” from Downton Abbey or Disney’s “sinister drag queens” like Ursula—should make her feel offended, but often she’s just left admiring them for how they’ve survived in a world that hates them.
Machado’s thinking demonstrates that stereotypes, even if they’re destructive, can often be true—and can become more relevant given someone’s individual experience. In this case, Machado’s experience makes her more sympathetic to these villainous characters.
Active Themes
Queer Visibility Theme Icon
Machado lays out the plot of Alain Guiraudie’s Stranger by the Lake, in which a young man called Franck witnesses an older man, Michel, drowning his boyfriend. Franck then begins a relationship with Michel and lies to a detective about the death in order to protect Michel and strengthen their relationship.
By choosing to discuss a film that revolves around danger and secrecy, Machado hints to the reader that the story of her own relationship might also depend on secrecy.
Active Themes
Abuse, Trauma, and Healing Theme Icon
Machado says the disproportionate number of queer villains is unfair, and artists should be careful about who they choose to portray as evil. Queer villains, like Michel, are more interesting when they’re surrounded by other queer characters. When many different queer characters appear, they are allowed to have various traits and not merely represent ideas of good and evil. Queer people don’t deserve respect or fair treatment because they’re altogether pure, but because they are as complex as any other human beings.
Active Themes
Queer Visibility Theme Icon
Storytelling, Responsibility, and Freedom Theme Icon
Quotes