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Whereas Connie accepts class as a neutral fact, Clifford uses his high status and wealth to compensate for his physical insecurities. On the one hand, Clifford dresses in expensive clothes, as if to distract from his wounds; on the other hand, Clifford denies humanity to the miners whose physical strength makes him wealthy. In other words, Clifford works to define power not as bodily but as financial, elevating himself above all the unwounded, working-class men in “the pit.”