Moon on a Rainbow Shawl takes place in Trinidad, which was a colony of Great Britain from 1797 until 1962. Given this setting, the play testifies to a long and bitter history of colonial violence and racism. It quickly becomes clear that, aside from some of Mavis’s American clients, Old Mack (whose success is built on taking advantage of his tenants), and Murray (whose language codes him as white, even though his race isn’t specified), all of the characters are both poor and people of color. Their fates illustrate the racism, segregation, and generational poverty suffered by the descendants of enslaved Africans and indentured servants brought to Trinidad in the 19th century.
Charlie explains that British cricket teams liked to scout for Black and Indian players, who were valued for their athletic abilities but otherwise marginalized because of their race and status as colonial subjects. Racism even influenced the inter-colony teams, and when Charlie took a stand against it, he was blacklisted. He warns Ephraim that Ephraim is likely to face ongoing discrimination in England too, even as Ephraim pins his hopes on a brighter future across the ocean. Esther has a chance to escape through a good education, but only because she’s won a high school scholarship, and only if her parents can come up with enough money for her incidental expenses. However, the play isn’t entirely hopeless; it ends with the strong suggestion that Esther’s education will allow her to transcend—in some way—the forces of oppression working against her. At the same time, though, by tracing the long histories of colonial violence and racism in the Caribbean, the play asks its audience to consider how these histories continue to shape the world and people’s lives.
Racism and Colonial History ThemeTracker
Racism and Colonial History Quotes in Moon on a Rainbow Shawl
Act 1, Scene 1 Quotes
MAVIS. What happening?—Yer givin’ little Miss Precious Mind private lessons? She is ‘bright girl’ I hear her mother say—so I expect she’ll learn quick.
EPF. Cut that, Mavis.
MAVIS. Yer want to come over and make it a party?
EPF. I said cut that!
Mavis gives a short low laugh as she goes back to her room [… She] says something and there is more laughter. Music from the victrola floats across the yard. Mavis’s light snaps off, and there is a scratch as the needle is pulled from the record—then suddenly everything is quiet.
ESTHER. I hate this yard, Ephraim…I wish Daddy was working steady—then we could find a decent place to live. Ephraim—You could help it—You don’t have to live here!
EPF. I’m a man, Esther. It don’t matter for me.
Act 1, Scene 2 Quotes
EPF. I may never know!…Trouble with Charlie—he was a dreamer. And ole as he is he ent loss that dream yet. But I’m young and I’m wide awake. And it ent my intention to remain here and grow a big white moustache like Ole Sam, how used to drive tramcar—and when the trolleys came they pension him off with a pittance. This Trinidad has nothin’ fer me! Nothin’ I want!
SOPHIA. What about Rosa?
EPF. Rosa?
SOPHIA. Why all yer young men so?
EPF. So?
SOPHIA. Look—let me mind mey own business, yer hear. Allyer young. Allyer could sort out allyer own salvation. I say this fer ye yer though. You is a man with ambition!
EPF. I have my plan!
He picks up the Union Jack. There is a pause as she looks at him. Then she remarks flatly.
SOPHIA. I hope it pointing in the right direction!
Act 2, Scene 1 Quotes
ROSA. Yer is a good-lookin’ man—you know?
EPF. Good-looking. Like who?
ROSA. Robert Taylor.
EPF. GO ’way!
ROSA. James Stewart.
EPF. He good-looking?—Try again.
ROSA. William Holden…
EPF. That’s right—He an’ me is twins.
ROSA. But look you!—Yer too fast with yer ugly self.
EPF. Jest now yer say I was handsome.
ROSA. That was jest now.
EPF. God!—Why all allyer woman so?
ROSA. Is we right.
EPF. Right?
ROSA. To tantalise.
EPF. Eh-heh?
They laugh.
Act 2, Scene 2 Quotes
CHARLIE. In them days, boy—the Savannah Club crowd was running most everything. […] In them times so when we wet Barbados or Jamaica to play cricket they used to treat us like hogs, boy. When we went on tours they put we in any ole kind of boarding house. The best hotels was fer them and the half-scald members of the team—So in ’twenty-seven when we was on tour in Jamaica I cause a stink boy. I had had enough of them dirty little boarding-house rooms. I said either they treat me decent or they send me back. The stink I made got into the newspapers. They didn’t send me back. But that was the last inter-colony series I ever play. They broke me, boy.
EPF. (quietly) Fer that?
CHARLIE. I should of known mey place. […] in them days, boy—the English country clubs was outbidding each other fer bowlers like me.
OLD MACK. You know one thing I’m certain of, Charlie? That boy Stephen—who runs the café for me—he knows something. But I know—he’d never tell. Charlie—yer take a boy off the street. Yer treat him as if he was your own. Yer trust him. Yer put him in charge of a café. Yer think he grateful. That boy hates me, Charlie. Hates me so he’d even rob me. Is hard.
Act 3, Scene 1 Quotes
BOY. Hello, Mrs Adams
SOPHIA. Afternoon, Mr Murray.
BOY. Esther gave it to me. I hope you don’t mind. I—sort of—wanted to use it this afternoon.
SOPHIA. Mr Adams said they were finished. All but one.
BOY. I’ll call back tomorrow, Mrs Adams. But—I’d like him to know that I was talking to the principal a couple of days ago. Next season they are going to engage a coach for junior school. I took the liberty of mentioning Mr Adams’ name. The job is his—if he wants it.
ESTHER. Oooh, Ma!
SOPHIA. Thank you, Mr Murray. I’ll tell Mr Adams.
BOY. He’ll have to go through the formality of making an application, of course—but it’s more or less settled…You just tell him about the job. That’s what’s important—I’ll explain the rest when I see him. So long, Mrs. Adams, Esther.
Act 3, Scene 2 Quotes
EPF. (exploding) Mrs Adams! I aske yer something! You know fer certain sureyou want a whole lot more fer Esther—than you ever had a chance to get! My ole man was nothing’!…He used to drive a transport mule-cart! Everybody stinkin’ dustbin!—Hawk!—Spit!—Crap! Is so funny—yer find I want something better for meyself!
SOPHIA. Yer have it, Ephraim!
EPF. Have it?
SOPHIA. Soon they would have made yer inspector!
EPF. Today I told them they could shove that, Mrs Adams!
SOPHIA. You’re a fool! God—you’re a fool! Yer have a future here! An’ yer shoving it aside!—Fer what? To go off where? What’s wrong with allyer? Ephraim—I born and grow up in this Trinidad. I see it change. I see things open up—making room fer young people. Young people like you.



