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When Louisa sees the skulls, she realizes that the homeless man is in fact C. Jat, the artist who painted The One of the Sea. The fact that this famous artist was hanging out unnoticed right outside the auction shows once again how Louisa is able to notice things that the adults around her can’t. Meeting C. Jat in this way also attests to the superficiality of appearances and the hypocrisy of the people at the auction: they would presumably look down on C. Jat in his current state despite bidding large sums of money on his artwork.