Sister Carrie
by Theodore Dreiser
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Chapter 1 Quotes

When a girl leaves her home at eighteen, she does one of two things. Either she falls into saving hands and becomes better, or she rapidly assumes the cosmopolitan standard of virtue and becomes worse. Of an intermediate balance, under the circumstances, there is no possibility.

Related Characters: Caroline “Carrie” Meeber
Related Symbols: The City
Page Number and Citation: 1
Explanation and Analysis:
At the beginning of the novel, Dreiser makes the aforementioned statement regarding provincial girls, like Carrie, who travel to the city. This quote relates two different fates that can befall Carrie: she will either become “better” or “worse.” As Dreiser mentions “virtue,” readers can gather that “better” and “worse” relates to a moral dichotomy. Dreiser explains that a girl will morally improve if she falls into “saving hands”; she will morally deteriorate if she takes to “the cosmopolitan standard of virtue.” The connection between moral deterioration and cosmopolitan virtues paints the city as an immoral place, full of temptation and Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae.

Chapter 3 Quotes

Not only did Carrie feel the drag of desire for all which was new and pleasing in apparel for women, but she noticed too, with a touch at the heart, the fine ladies who elbowed and ignored her, brushing past in utter disregard of her presence, themselves eagerly enlisted in the materials which the store contained.

Related Characters: Caroline “Carrie” Meeber
Related Symbols: The City
Page Number and Citation: 16
Explanation and Analysis:
Walking the streets of Chicago, Carrie is captivated by the shows of material wealth unfolding all around her. The department stores in the city are filled with “all which was new and pleasing in apparel for woman,” and Carrie cannot help but “feel the drag of desire.” The department stores thus lead Carrie to develop her first vice: greed. The well-dressed women who walk past Carrie “in utter disregard of her presence” lead Carrie to feel “a touch at the heart” and develop her second vice: envy. These women are able to “eagerly [enlist] in the materials which the store Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam offic

Chapter 4 Quotes

As Carrie listened to this and much more of similar familiar badinage among the men and girls, she instinctively withdrew into herself. She was not used to this type, and felt that there was something hard and low about it all. She feared that the young boys about would address such remarks to her—boys who, beside Drouet, seemed uncouth and ridiculous.

Related Characters: Caroline “Carrie” Meeber, Charles H. Drouet
Related Symbols: The City
Page Number and Citation: 29
Explanation and Analysis:
When Carrie finds a job as a laborer in a wholesale shoe factory, she finds both the work and her coworkers distasteful. Carrie’s reaction to the other laborers demonstrate her capabilities in discernment and her taste for elegant companionship. With the environment at her new job, Carrie could assimilate with the other workers, presumably from similar socioeconomic background to herself. She could join in the “familiar badinage among the men and girls.” Indeed, such assimilation might make her work more tolerable—at least she need not endure misery alone. Yet, Carrie discerns something “hard and low” in her fellow laborers and Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesc

Chapter 6 Quotes

On the first morning it rained [Carrie] found that she had no umbrella. Minnie loaned her one of hers, which was worn and faded. There was the kind of vanity in Carrie that troubled at this. She went to one of the great department stores and bought herself one, using a dollar and a quarter of her small store to pay for it.

“What did you do that for, Carrie?” asked Minnie, when she saw it.

“Oh, I need one,” said Carrie.

“You foolish girl.”

Carrie resented this, though she did not reply. She was not going to be a common shop-girl, she thought; they need not think it, either.

Related Characters: Minnie Hanson (speaker), Caroline “Carrie” Meeber (speaker)
Related Literary Devices:
Page Number and Citation: 39
Explanation and Analysis:
After moving to Chicago, Carrie realizes that she holds a very different view from her sister, Minnie, with regards to spending money. From this passage, readers can gather that the difference in spending habits does not simply stem from greed on Carrie’s part and frugality on Minnie’s part, but from a difference in pride. Carrie is prideful when it comes to her appearance, and thus her “vanity” leads her to trouble over the “worn and faded” umbrella that Minnie lends her. Afraid that people might mistake her for “a common shop-girl,” Carrie buys a new umbrella out of a sense Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perfe

Chapter 7 Quotes

To [Carrie], and indeed to all the world, [Drouet] was a nice, good-hearted man. There was nothing evil in the fellow. He gave her the money out of a good heart—out of a realisation of her want. He would not have given the same amount to a poor young man, but we must not forget that a poor young man could not, in the nature of things, have appealed to him like a poor young girl. Femininity affected his feelings. He was the creature of an inborn desire.

Related Characters: Caroline “Carrie” Meeber, Charles H. Drouet
Page Number and Citation: 45
Explanation and Analysis:
After encountering a desperate Carrie on the street, Drouet displays an astounding amount of generosity, treating her to a meal and offering her 20 dollars—quite a hefty amount for the time that the novel takes place. Dreiser takes this moment to show that Drouet’s generosity stems from neither moral uprightness nor depravity; rather, it stems from instinct. In this passage, Dreiser begins by stating that Drouet is “a nice, good-hearted man” in whom there is “nothing evil.” However, Dreiser proceeds to qualify Drouet’s goodness. Although he gives to Carrie “out of a realisation of her want,” it’s telling that he Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum volu

Chapter 8 Quotes

“Where do you suppose she’s gone to?” said Minnie, thoroughly aroused.

“I don't know,” a touch of cynicism lighting his eye. “Now she has gone and done it.”

Minnie moved her head in a puzzled way.

“Oh, oh,” she said, “she doesn't know what she has done.”

“Well,” said Hanson, after a while, sticking his hands out before him, “what can you do?”

Minnie’s womanly nature was higher than this. She figured the possibilities in such cases.

“Oh,” she said at last, “poor Sister Carrie!”

Related Characters: Sven Hanson (speaker), Minnie Hanson (speaker), Caroline “Carrie” Meeber
Related Symbols: The City
Page Number and Citation: 54
Explanation and Analysis:
To the contemporary reader, Carrie’s departure from her sister’s household to that of Drouet hardly holds the same moral significance as it does to Dreiser and readers of his time. An unmarried girl living with a man and depending on him for her livelihood was considered a moral failure by late 19th- and early 20th-century standards. Readers can gather this much from the conversation between Minnie and Hanson after Carrie’s departure. At first, Minnie holds no clue as to what Carrie has done and expresses her worry accordingly: “Where do you suppose she’s gone to?” The idea of Carrie being Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum volup

Chapter 10 Quotes

Here, then, was Carrie, established in a pleasant fashion, free of certain difficulties which most ominously confronted her, laden with many new ones which were of a mental order, and altogether so turned about in all of her earthly relationships that she might well have been a new and different individual. She looked into her glass and saw a prettier Carrie than she had seen before; she looked into her mind, a mirror prepared of her own and the world’s opinions, and saw a worse. Between these two images she wavered, hesitating which to believe.

Related Characters: Caroline “Carrie” Meeber
Page Number and Citation: 65-66
Explanation and Analysis:
After becoming Drouet’s mistress, Carrie starts questioning her own actions. Materially speaking, Carrie is much more comfortable now than she was at Minnie and Hanson’s apartment—thanks to Drouet, she is “established in a pleasant fashion.” With her new clothes and accessories, she even looks “prettier.” Although free of worries regarding money and labor, Carrie is now laden with anxieties regarding her status as mistress: she is “worse” in both “her own and the world’s opinions.” Still, Carrie makes no move to remove herself from this morally questionable state: she simply “[wavers]” and “[hesitates].” Though she experiences guilt, she remains helpless Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus

Chapter 11 Quotes

[…] Carrie was naturally imitative. She began to get the hang of those little things which the pretty woman who has vanity invariably adopts. In short, her knowledge of grace doubled, and with it her appearance changed. She became a girl of considerable taste.

Related Characters: Caroline “Carrie” Meeber
Page Number and Citation: 74
Explanation and Analysis:
Throughout the novel, Carrie demonstrates a desire to not only improve her appearance but also her manners. As she spends time around the upper crust, she learns that a person’s class is not determined simply by the elegance of their clothing but also by the elegance and refinement of their behavior. After moving in with Drouet, Carrie rapidly improves her appearance through new clothes and accessories. However, she perceives that more is needed to elevate her social status. As a “naturally imitative” young woman, Carrie begins to adopt the mannerisms “which the pretty woman who has vanity invariably adopts.” She Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibu

Chapter 14 Quotes

[Drouet] was simply letting things drift because he preferred the free round of his present state to any legal trammellings. In contrast, Hurstwood appeared strong and sincere. He had no easy manner of putting her off. He sympathised with her and showed her what her true value was. He needed her, while Drouet did not care.

Related Characters: Charles H. Drouet, Caroline “Carrie” Meeber, George W. Hurstwood
Page Number and Citation: 95
Explanation and Analysis:
After living with Drouet for a while as his mistress, Carrie begins to worry that he will never propose. Drouet seems to enjoy the freedom of a noncommittal relationship without “any legal trammellings.” In Carrie’s eyes, Hurstwood appears to prioritize her—he seems willing to marry her because he has “no easy manner of putting her off” and “he [needs] her.” These thoughts arise mostly from Carrie’s instinct. They are not very reasonable: why should a well-established and rich manager who is experienced with life “[need]” a young girl any more than a young traveling salesman? Carrie allows her instinct to Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dic

Chapter 18 Quotes

[Hurstwood] was evidently a light among them, reflecting in his personality the ambitions of those who greeted him. He was acknowledged, fawned upon, in a way lionised. Through it all one could see the standing of the man. It was greatness in a way, small as it was.

Related Characters: George W. Hurstwood
Page Number and Citation: 124
Explanation and Analysis:
In this passage, Hurstwood enjoys the attentions of the many guests he has invited to see Carrie’s play at the Freemasons’ club. Readers learn from earlier in the novel that Hurstwood is comfortably established. He works as a manager at one of the most glamorous clubs in Chicago, where he meets many celebrities. Still, as a manager, he does not yet belong to the highest echelons of society—he only rubs elbows with these people. Yet, in Hurstwood’s interactions with his guests in this passage, readers can see that he has achieved the highest social standing in his own circle of Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corr

Chapter 20 Quotes

[Carrie] felt Hurstwood’s passion as a delightful background to her own achievement, and she wondered what he would have to say […] She was now experiencing the first shades of feeling of that subtle change which removes one out of the ranks of the suppliants into the lines of the dispensers of charity.

Related Characters: Caroline “Carrie” Meeber, George W. Hurstwood
Page Number and Citation: 137
Explanation and Analysis:
In her relationships to Drouet and to Hurstwood, Carrie has always been the dependent—the socially inferior. However, after Carrie’s moving performance in the play put on by the Freemasons’ club, her two suitors regard her with newfound admiration, similar to how the public would admire a talented artist. This is how Carrie finds herself moving from “the ranks of the suppliants into the lines of the dispensers of charity.” Carrie enjoys this newfound sense of power. Significantly, Dreiser relates that Carrie “[feels] Hurstwood’s passion as a delightful background to her own achievement.” The word “background” indicates that in light of Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor

Chapter 26 Quotes

Anyhow, there was one change for the better. She knew that she had improved in appearance. Her manner had vastly changed. Her clothes were becoming, and men—well-dressed men, some of the kind who before had gazed at her indifferently from behind their polished railings and imposing office partitions—now gazed into her face with a soft light in their eyes.

Related Characters: Caroline “Carrie” Meeber
Page Number and Citation: 171
Explanation and Analysis:
Carrie’s affair with Hurstwood—and her relationship with Drouet—comes to a halt after Drouet informs her that Hurstwood is married. Without financial support from these men, Carrie realizes she must look for a new source of income. During this second job search, Carrie is treated quite differently from her first job search. During the first job search, Carrie was poorly dressed and equipped with only provincial notions of manners. Now well-dressed and carrying an arsenal of feminine charms, Carrie receives more warmth from employers—male employers. Men who once looked at her “indifferently” now look at her “with a soft light in Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus volup

Chapter 27 Quotes

The manager was no fool to be led blindly away by such an errant proposition as this, but his situation was peculiar. Wine was in his veins. It had crept up into his head and given him a warm view of the situation. It also coloured the possibilities of ten thousand for him. He could see great opportunities with that. He could get Carrie.

Related Characters: Caroline “Carrie” Meeber, George W. Hurstwood
Related Symbols: The City
Related Literary Devices:
Page Number and Citation: 183
Explanation and Analysis:
Hurstwood’s life falls apart soon after the Freemasons’ play: his wife blackmails him after finding out about the affair, and Carrie abandons him after finding out about his marriage. He takes to drinking heavily at his saloon and, at closing time, finds that the safe is unlocked, with thousands of dollars inside. The money poses as an immense temptation to the inebriated Hurstwood. While a sober Hurstwood would not follow “such an errant proposition,” wine has effectively lowered Hurstwood’s capacity for reason and awakened his more visceral instincts. Hurstwood’s instinct is to take a “warm view” of “the possibilities of Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum

Chapter 28 Quotes

The progress of the train was having a great deal to do with the solution of this difficult situation. The speeding wheels and disappearing country put Chicago farther and farther behind. Carrie could feel that she was being borne a long distance off—that the engine was making an almost through run to some distant city. She felt at times as if she could cry out and make such a row that some one would come to her aid; at other times it seemed an almost useless thing—so far was she from any aid, no matter what she did. All the while Hurstwood was endeavouring to formulate his plea in such a way that it would strike home and bring her into sympathy with him.

Related Characters: George W. Hurstwood, Caroline “Carrie” Meeber
Related Symbols: The City
Page Number and Citation: 191
Explanation and Analysis:
In order to persuade Carrie to leave with him, Hurstwood lies that Drouet is hurt. Though Carrie finds out about his deception on the train and initially shows vehement reluctance to follow through with Hurstwood’s plan, she soon settles down for the reasons described in this passage. Reasonably, Carrie could easily inform the conductor of the train regarding Hurstwood’s duplicity and, no doubt, find the means to return to Chicago. However, the environment of the train gives Carrie the feeling that return is out of reach, as she is “being borne a long distance off,” a distance made longer each Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Po

Chapter 29 Quotes

This man, to whose bosom she was being pressed, was strong; he was passionate, he loved her, and she was alone. If she did not turn to him—accept of his love—where else might she go? Her resistance half dissolved in the flood of his strong feeling.

Related Characters: Caroline “Carrie” Meeber, George W. Hurstwood
Related Literary Devices:
Page Number and Citation: 196
Explanation and Analysis:
In this passage, Hurstwood and Carrie embrace upon arriving at a hotel in Montreal after a long train ride from Chicago. At this point, Carrie has for the most part accepted her situation and no longer plans to leave Hurstwood, largely due to helplessness. In this passage, Hurstwood envelops Carrie in his arms just as the environment and its forces have enveloped Carrie’s consciousness. These forces are, like Hurstwood’s embrace, strong and convincing. Consequently, Carrie feels that she must “turn to him—accept his love,” for “where else might she go?” Hurstwood’s embrace leads Carrie to feel that she is helpless Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo mi

Chapter 30 Quotes

Whatever a man like Hurstwood could be in Chicago, it is very evident that he would be but an inconspicuous drop in an ocean like New York. In Chicago, whose population still ranged about 500,000, millionaires were not numerous. The rich had not become so conspicuously rich as to drown all moderate incomes in obscurity. […] In Chicago the two roads to distinction were politics and trade. In New York the roads were any one of a half-hundred, and each had been diligently pursued by hundreds, so that celebrities were numerous. The sea was already full of whales. A common fish must needs disappear wholly from view—remain unseen. In other words, Hurstwood was nothing.

Related Characters: George W. Hurstwood
Related Symbols: The City
Page Number and Citation: 204
Explanation and Analysis:
In this quotation, Dreiser details how Hurstwood’s social standing in New York differs from his social standing in Chicago. In Chicago, Hurstwood was well-established and among the upper echelons of society. As the manager of a popular and high-end saloon, he frequently came in contact with the rich and famous, and developed amicable relationships with them. Furthermore, Hurstwood was popular among his own set—those of modest wealth in Chicago, such as Drouet, treated Hurstwood with friendliness and deference. However, in a larger, richer city like New York, Hurstwood is “but an inconspicuous drop.” Dreiser once again resorts to natural imagery: Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. No

Chapter 31 Quotes

[Carrie] could not, for the life of her, assume the attitude and smartness of Mrs. Vance, who, in her beauty, was all assurance. She could only imagine that it must be evident to many that she was the less handsomely dressed of the two. It cut her to the quick, and she resolved that she would not come here again until she looked better. At the same time she longed to feel the delight of parading here as an equal. Ah, then she would be happy!

Related Characters: Caroline “Carrie” Meeber, Mrs. Vance
Related Symbols: The City
Page Number and Citation: 217
Explanation and Analysis:
In New York, Carrie befriends Mrs. Vance, a rich and beautiful young woman with excellent taste in clothing and accessories. One day, when Carrie and Mrs. Vance stroll down Broadway on their way to a show, Carrie realizes how inferior she looks compared to Mrs. Vance and the other finely dressed women on the street. In Chicago, many, including Drouet and Hurstwood, admired Carrie for her fine appearance. However, in a bigger city like New York, Carrie’s style falls short. Carrie realizes that she cannot “assume the attitude and smartness of Mrs. Vance” with her current material state. This “[cuts] Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim n

Chapter 32 Quotes

In all Carrie’s experience she had never seen anything like [Sherry’s]. In the whole time she had been in New York Hurstwood’s modified state had not permitted his bringing her to such a place. There was an almost indescribable atmosphere about it which convinced the newcomer that this was the proper thing. Here was the place where the matter of expense limited the patrons to the moneyed or pleasure- loving class.

Related Characters: Caroline “Carrie” Meeber, George W. Hurstwood
Related Symbols: The City
Page Number and Citation: 223
Explanation and Analysis:
After Carrie and Hurstwood settle in New York for quite some time, Mr. and Mrs. Vance treat Carrie, along with Mrs. Vance’s cousin Ames, to dinner at a luxurious restaurant called Sherry’s. Here, Carrie undergoes one of the most extravagant experiences in the city. Carrie “had never seen anything like [Sherry’s],” not in Chicago and definitely not in New York where Hurstwood must conserve funds. Sherry’s educates Carrie in the values of the city: “there was an almost indescribable atmosphere about [the restaurant] which convinced the newcomer that this was the proper thing.” In other words, dining at Sherry’s seems Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaq

[Carrie] felt as if she would like to be agreeable to [Ames], and also there came with it, or perhaps preceded it, the slightest shade of a feeling that he was better educated than she was—that his mind was better. He seemed to look it, and the saving grace in Carrie was that she could understand that people could be wiser.

Related Characters: Caroline “Carrie” Meeber, Robert Ames
Page Number and Citation: 225-226
Explanation and Analysis:
While dining with Mr. and Mrs. Vance at Sherry’s, an extremely luxurious restaurant, Carrie enjoys a conversation with Ames, Mrs. Vance’s cousin. For the first time, Carrie meets someone who does not admire wealth and luxury: Ames remarks to Carrie that he feels all the excess of Sherry’s to be quite pointless and views food and service as an empty, overpriced show of extravagance. Carrie is intrigued by Ames’s words. She realizes that the young man is “better educated” than she is and that “his mind [is] better”; consequently, she wishes to be “agreeable” to him and impress him. Dreiser Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possim

Chapter 35 Quotes

That night he felt a cold coming on and took quinine. He was feverish until morning, and sat about the next day while Carrie waited on him. He was a helpless creature in sickness, not very handsome in a dull-coloured bath gown and his hair uncombed. He looked haggard about the eyes and quite old. Carrie noticed this, and it did not appeal to her. She wanted to be good-natured and sympathetic, but something about the man held her aloof.

Related Characters: Caroline “Carrie” Meeber, George W. Hurstwood
Related Literary Devices:
Page Number and Citation: 246
Explanation and Analysis:
Carrie and Hurstwood’s relationship steadily declines during their time in New York. On one occasion, Hurstwood falls sick and his lack of appeal grows more obvious than ever before to Carrie. During his sickness, Carrie notices Hurstwood’s helplessness, the fact that he is “not very handsome,” especially when “in a dull-coloured bath gown and his hair uncombed.” Furthermore, Carrie notices Hurstwood’s age for the first time: “he looked haggard about the eyes and quite old.” All this lack of appeal leads Hurstwood to hold Carrie “aloof.” Dreiser portrays this occasion in a scientific—and naturalistic—manner: everything follows a sort of cause-and-effect Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim n

Chapter 39 Quotes

Her need of clothes—to say nothing of her desire for ornaments— grew rapidly as the fact developed that for all her work she was not to have them. The sympathy she felt for Hurstwood, at the time he asked her to tide him over, vanished with these newer urgings of decency. He was not always renewing his request, but this love of good appearance was. It insisted, and Carrie wished to satisfy it, wished more and more that Hurstwood was not in the way.

Related Characters: George W. Hurstwood, Caroline “Carrie” Meeber
Related Symbols: The City
Page Number and Citation: 271
Explanation and Analysis:
After holding a position as the manager of a small establishment for a while, Hurstwood loses his job, forcing him and Carrie to scrimp and save what little money they have. This proves rather hard on Carrie, whose desire for clothes and accessories is as strong as ever, especially that now she has a position as a chorus girl and those around her are dressed well. Carrie’s sympathy for Hurstwood rapidly depletes while her desire for a “good appearance” increases. Life in the city has taught Carrie that a “good appearance” is a matter of “decency.” In other words, Carrie Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessi

Chapter 42 Quotes

Carrie’s little soldier friend. Miss Osborne, seeing her succeeding, had become a sort of satellite. Little Osborne could never of herself amount to anything. She seemed to realise it in a sort of pussy-like way and instinctively concluded to cling with her soft little claws to Carrie.

Related Characters: Caroline “Carrie” Meeber, Lola Osborne
Related Symbols: The City, The Stage
Related Literary Devices:
Page Number and Citation: 300
Explanation and Analysis:
During her first days with the theater company, Carrie becomes friends with a fellow chorus girl, Lola Osborne. The two remain friends as Carrie receives promotions while Lola remains a chorus girl. Jealousy and condescension never enter the relationship. Indeed, the relationship between Carrie and Lola is perhaps one of the healthiest ones readers can find in the novel. Lola realizes that she “could never of herself amount to anything” and revolves around Carrie as “a sort of satellite.” Dreiser relates that she “[clings] with her soft little claws to Carrie.” Carrie enjoys the company and the two remain together Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a

[Carrie] had learned that men could change and fail. Flattery in its most palpable form had lost its force with her. It required superiority—kindly superiority—to move her—the superiority of a genius like Ames.

Related Characters: Caroline “Carrie” Meeber
Page Number and Citation: 300-301
Explanation and Analysis:
Lola Osborne introduces Carrie to a number of young men, many who are interested in impressing Carrie and winning her affections. However, Carrie, unlike Lola, does not enjoy these overtures. After her experiences with Drouet and Hurstwood, Carrie is quite disillusioned with men of the flattering sort. Men can “change and fail,” and “flattery in its most palpable form” is nothing but mere words. Carrie desires “kindly superiority” and “genius” in a man. Ames presents in her mind as a sort of ideal. In this passage, Dreiser shows that Carrie has made another distinction in class. Initially, she only perceived Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omn

Chapter 47 Quotes

It seemed as if he thought a while, for now [Hurstwood] arose and turned the gas out, standing calmly in the blackness, hidden from view. After a few moments, in which he reviewed nothing, but merely hesitated, he turned the gas on again, but applied no match. Even then he stood there, hidden wholly in that kindness which is night, while the uprising fumes filled the room. When the odour reached his nostrils, he quit his attitude and fumbled for the bed.

“What’s the use?” he said, weakly, as he stretched himself to rest.

Related Characters: George W. Hurstwood (speaker)
Page Number and Citation: 350
Explanation and Analysis:
After Carrie leaves Hurstwood, the latter slowly descends into poverty, spending his last days as a beggar. Though initially willing to work, Hurstwood eventually abandons any notions of improving his state and commits suicide in a fifteen-cent boarding house. Dreiser sets Hurstwood’s death in the “blackness” of a flophouse. Emaciated and hopeless, he “[reviews] nothing” but only “[hesitates]” before committing suicide via a gas stove. The setting, a place of idleness and hopelessness, correlates with Hurstwood’s mental state and the gas parallels his descent into poverty, silent and deadly. Although Hurstwood’s death is a depressing scene, Dreiser refrains from sentimentalism. Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officii

Oh, Carrie, Carrie! Oh, blind strivings of the human heart! Onward, onward, it saith, and where beauty leads, there it follows. Whether it be the tinkle of a lone sheep bell o’er some quiet landscape, or the glimmer of beauty in sylvan places, or the show of soul in some passing eye, the heart knows and makes answer, following. It is when the feet weary and hope seems vain that the heartaches and the longings arise. Know, then, that for you is neither surfeit nor content. In your rocking-chair, by your window dreaming, shall you long, alone. In your rocking-chair, by your window, shall you dream such happiness as you may never feel.

Related Characters: Caroline “Carrie” Meeber
Related Symbols: The City
Page Number and Citation: 352
Explanation and Analysis:
Dreiser ends the novel on the note of desperation and hopelessness with regards to Carrie. In every step of her narrative, Carrie chases after the next best thing, be it new clothes and accessories, a better lover, or a more notable role in a play. Here, Dreiser switches from third person to second person narrative, addressing Carrie in an intimate way, telling her that she will find “neither surfeit nor content.” In other words, happiness with never for a reality for Carrie—it will forever be an illusion, just out of reach. She will always “dream such happiness as [she] may Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minu
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