Like most of Toni Morrison’s novels, Sula studies the ways that black people struggle to live in America, a country with a notorious history of persecuting and oppressing black people.
Black characters in the novel face the weight of a history in which white Americans have consistently swindled blacks out of their property and their rights by manipulating laws, social norms, and even language itself. In the city of Medallion, where the novel is set…(read full theme analysis)
One of the biggest challenges of reading Sula is to understand how the characters can do things that, on the surface, appear cruel, even as they claim to be acting out of love.
At times, the character’s love for one another drives them to hurt and even kill each other. There’s no better example of this than Eva Peace’s act of “loving murder.” She’s always loved her youngest child, Ralph “Plum” Peace, and nearly…(read full theme analysis)
Although Sula moves between many different characters’ perspectives, it is almost entirely told from the point of view of women living in the Bottom. Often, the men in the novel can’t be “pinned down” for long: their jobs keep them away from home (Wiley Wright), or their desire for independence leads them to abandon their families (Jude Greene, BoyBoy, etc.). As a result, it’s no surprise that Morrison offers many…(read full theme analysis)
From the first pages of Sula, it’s clear that signs and names carry a huge amount of power. The novel documents some of the ways that signs can be powerful, and how this power can be used and abused.
Morrison makes it clear that the act of naming is enormously important, and always reflects the power and personality of the “namer.” For example, throughout the novel various characters are given the opportunity to “name” one…(read full theme analysis)