The Cay

by Theodore Taylor

Trees, the Sea, and Knives Symbol Analysis

Trees, the Sea, and Knives Symbol Icon
Trees, the Sea, and Knives Symbol Icon

Trees, the sea, and knives all symbolize the overprotective nature of Phillip’s mother and her unrealistic desire to protect her son from the harsh realities of life. This desire is somewhat irresponsible, since danger and difficulty are inescapable in life, and the book argues that it’s important for parents to teach their children how to face trials, rather than trying to protect them. Early in the book, Phillip sourly notes that his mother disapproves of many things—including him climbing trees, playing along the sea wall, and using knives—that his friend Henrik’s mother allows. Importantly, after a shipwreck separates Phillip and his mother, he must face and overcome his fear of all three dangers to survive: the sea when he falls off the raft and must evade a potential shark attack; trees when he learns to climb the island’s coconut palms despite his blindness; and sharp objects when he takes over the use of Timothy’s knife and uses it to carve spearfishing tools even though he's still blind. By overcoming these obstacles, Phillip becomes able to survive on his own, without the protection of either his mother or Timothy, illustrating by counterexample how limiting his mother’s fears were.

Trees, the Sea, and Knives Quotes in The Cay

The The Cay quotes below all refer to the symbol of Trees, the Sea, and Knives. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Protection, Self-Sufficiency, and Maturity  Theme Icon
).

Chapter 1  Quotes

Then an army officer climbed out of a truck and told us all to leave the Queen Emma bridge. He was very stern. He growled, “Don’t you all know they could shoot a torpedo up here and kill you all?”

I looked out toward the sea again. It was blue and peaceful, and a good breeze churned it up, making lines of whitecaps. White clouds drifted slowly over it. But I couldn’t see the usual parade of ships coming toward the harbor; the stubby ones or the massive ones with the flags of many nations that steamed slowly up the bay to Schottegat to load gas and oil.

The sea was empty; there was not even a sail on it. We suddenly became frightened and ran home to the Scharloo section where I lived.

Related Characters: Phillip Enright (speaker), Phillip’s Mother, Henrik van Boven
Related Symbols: Trees, the Sea, and Knives
Page Number and Citation: 5
Explanation and Analysis:

Finally she said, “You’ll be safe if you do what we tell you to do. Don’t leave the yard again today.”

She seemed very nervous. But then she was often nervous. My mother was always afraid I’d fall off the sea wall, or tumble out of a tree, or cut myself with a pocketknife. Henrik’s mother wasn’t that way. She laughed a lot and said, “Boys, boys, boys.”

Related Characters: Phillip’s Mother (speaker), Phillip Enright (speaker), Timothy, Henrik van Boven
Related Symbols: Trees, the Sea, and Knives
Page Number and Citation: 6
Explanation and Analysis:

It was very different in Virginia, where my father had been in charge of building a new refinery on the banks of the Elizabeth River. We’d lived in a small white house on an acre of land with many trees. My mother often talked about the house and the trees; about the change of season and the friends she had there. She said it was nice and safe in Virginia.

My father would answer quietly, “There’s no place nice and safe right now.”

I remembered the summers with lightning bugs and honeysuckle smells; the cold winters when the field would be all brown and would crackle under my feet. I didn’t remember too much else. I was only nine when we’d moved to the Caribbean.

Related Characters: Phillip Enright (speaker), Phillip’s Father (speaker), Phillip’s Mother
Related Symbols: Trees, the Sea, and Knives
Page Number and Citation: 9
Explanation and Analysis:

Chapter 13 Quotes

Timothy, standing below to catch me if I fell, called up softly, “Phill-eep, ’Tis no shame to ease your own self back downg to d’san.”

Slowly I began to back down along the trunk. The bark was rough against my hands and feet, but what I felt most was Timothy’s disappointment. I couldn’t have been more than a few feet off the ground when I took a deep breath and said to myself, If you fall, you’ll fall in sand.

Then I started climbing again.

Timothy called up to be, “You ’ave forgot d’knife.”

I knew that if I stopped now, I’d never climb it. I didn’t answer him but kept my hands and feet moving steadily. Then I heard him shout, “You b’getting to d’top.” Palm fronds brushed my head. I grasped the base of one to pull myself up. Timothy let out a roar of joy.

Related Characters: Timothy (speaker), Phillip Enright (speaker), Phillip’s Mother
Related Symbols: Trees, the Sea, and Knives
Page Number and Citation: 96
Explanation and Analysis:

It was almost as if Id’ graduated from the survival course that Timothy had been putting me through since we had landed on the cay.

It rained that night, a very soft rain. Not even enough to drip through the palm frond roof. Timothy breathed softly beside me. I had now been with him every moment of the day and night for two months, but I had not seen him. I remembered that ugly welted face. But now, in my memory, it did not seem ugly at all. It seemed only kind and strong.

I asked, “Timothy, are you still black?”

His laughter filled the hut.

Related Characters: Phillip Enright (speaker), Timothy
Related Symbols: Trees, the Sea, and Knives
Page Number and Citation: 97
Explanation and Analysis:

Chapter 16 Quotes

There was so much to do that I hardly knew where to start. Get a campfire going, pile new wood for a signal fire, make another rain catchment for the water keg, weave a mat of palm fibers to sleep on. Then make a shelter of some kind, fish the hold on the reef, inspect the palm trees to see if any coconuts were left—I didn’t think any could be up there—and search the whole island to discover what the storm had deposited. […]

I accomplished a lot in three days, even putting a new edge on Timothy’s knife by honing it on coral. I jabbed it into the palm nearest my new shelter, so that I would always know where it was if I needed it. Without Timothy’s eyes, I was finding that in my world, everything had to be very precise: an exact place for everything.

Related Characters: Phillip Enright (speaker), Timothy
Related Symbols: Hurricane, Trees, the Sea, and Knives
Page Number and Citation: 113-114
Explanation and Analysis:

Chapter 19 Quotes

In early April, I returned to Willemstad with my mother and we took up life where it had been left off the pervious April. After I’d been officially reported lost at sea, she’d gone back to Curaçao to be with my father. She had changed in many ways. She had no thoughts of leaving the islands now.

I saw Henrik van Boven occasionally, but it wasn’t the same as when we’d played the Dutch or the British. He seemed very young.

Related Characters: Phillip Enright (speaker), Phillip’s Mother, Phillip’s Father, Henrik van Boven, Timothy
Related Symbols: Trees, the Sea, and Knives
Page Number and Citation: 133
Explanation and Analysis:
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Trees, the Sea, and Knives Symbol Timeline in The Cay

The timeline below shows where the symbol Trees, the Sea, and Knives appears in The Cay. The colored dots and icons indicate which themes are associated with that appearance.
Chapter 1 
Protection, Self-Sufficiency, and Maturity  Theme Icon
...day, real soldiers patrol the fort’s walls with binoculars and machine guns turned towards the sea. They shoo the boys away. (full context)
Protection, Self-Sufficiency, and Maturity  Theme Icon
Sight and Insight Theme Icon
...go to the Queen Anna pontoon bridge that spans the channel leading from the open sea into the harbor. Other curious residents have gathered there, too, looking out to sea. The... (full context)
Protection, Self-Sufficiency, and Maturity  Theme Icon
Sight and Insight Theme Icon
...it’s hard for Phillip to consider the danger real since he can’t see anything at sea other than whitecap waves and an endless sky. But then, abruptly, he realizes how empty... (full context)
Chapter 2 
Protection, Self-Sufficiency, and Maturity  Theme Icon
Sight and Insight Theme Icon
...to disperse when the ship explodes in a ball of red flames. Looking out to sea, Phillip sees the low, menacing silhouette of the German submarine lurking a mile away from... (full context)
Sight and Insight Theme Icon
...sails past Fort Amsterdam, Phillip sees—through the tears in his eyes—his father standing on the sea wall and waving. Phillip stands on deck, watching Curaçao shrink into the distance until his... (full context)
Chapter 3
Racism and Shared Humanity Theme Icon
Education vs. Experience  Theme Icon
...just before the attack. Phillip sits up and looks around. He sees nothing but empty sea and a few birds drifting in an endless sky. The thought of being stuck on... (full context)
Racism and Shared Humanity Theme Icon
Phillip drifts off to sleep, lulled by the gentle swell of the sea despite the pain in his head. When he wakes up, he formally introduces himself to... (full context)
Protection, Self-Sufficiency, and Maturity  Theme Icon
Sight and Insight Theme Icon
Racism and Shared Humanity Theme Icon
...order. Shouting with glee, Timothy grabs them. He clubs them over the head with his knife, then neatly fillets them. He hands the two largest pieces to Phillip. Phillip refuses them,... (full context)
Chapter 4
Racism and Shared Humanity Theme Icon
After a minute, the full weight of the situation hits Phillip: he’s lost at sea, stuck on a raft with a stranger, and he’s blind. He starts to crawl blindly... (full context)
Chapter 5
Protection, Self-Sufficiency, and Maturity  Theme Icon
On their third morning at sea, Timothy hears an airplane motor in the distance. Relief washes over Phillip. He crawls out... (full context)
Protection, Self-Sufficiency, and Maturity  Theme Icon
...they can’t reach them if they stay on the raft. Phillip remembers standing on the sea wall of Willemstad and seeing shark fins in the water; he remembers seeing caught sharks... (full context)
Sight and Insight Theme Icon
Racism and Shared Humanity Theme Icon
...he likes the cat. Timothy falls silent, and Phillip can imagine him looking out to sea. He asks what Timothy sees, and Timothy says nothing but “miles o’ blue wattah,” an... (full context)
Chapter 6
Protection, Self-Sufficiency, and Maturity  Theme Icon
Racism and Shared Humanity Theme Icon
...sees an island. In his excitement, Phillip stands up too quickly and falls into the sea. He surfaces, gasping, and hears a splash that tells him Timothy has jumped in after... (full context)
Protection, Self-Sufficiency, and Maturity  Theme Icon
Racism and Shared Humanity Theme Icon
...he’s calmed down, Timothy asks Phillip if he’s okay. A person can die fast at sea, he says. (full context)
Chapter 10
Protection, Self-Sufficiency, and Maturity  Theme Icon
...the Hato sank. As they eat their breakfast of broiled fish—their diet consists entirely of seafood and boiled sea-grape leaves—Timothy raises the issue of the coconuts again. Towering in the palm... (full context)
Chapter 11
Protection, Self-Sufficiency, and Maturity  Theme Icon
...island. To the east and south, the beach is wide, and the coral makes the sea shallow. Timothy warns Phillip to avoid the north end of the island, where the abruptly... (full context)
Sight and Insight Theme Icon
Racism and Shared Humanity Theme Icon
...He can hear the old man scraping at a piece of wood with his hunting knife, but Timothy answers Phillip’s questions—about what he’s doing, about whether he’s seen Stew Cat or... (full context)
Chapter 13
Protection, Self-Sufficiency, and Maturity  Theme Icon
Later in the week, Phillip announces to Timothy that he’s ready to climb the palm tree. Timothy tells him to climb a little way up first, as a trial, then to... (full context)
Chapter 14
Protection, Self-Sufficiency, and Maturity  Theme Icon
Education vs. Experience  Theme Icon
...camp for the coming storm. Timothy lashes the water keg as far up a palm tree as he can reach. He ties another length of rope to the tree that they... (full context)
Protection, Self-Sufficiency, and Maturity  Theme Icon
Education vs. Experience  Theme Icon
...the storm—hurricanes usually don’t happen until September or October. He thinks the storm expresses the sea’s anger over the violence and bloodshed of the war. He strips down the raft as... (full context)
Chapter 15
Protection, Self-Sufficiency, and Maturity  Theme Icon
Education vs. Experience  Theme Icon
Throughout the evening, Timothy describes the sea and sky to Phillip. The sky flames red at sunset, with just thin veils of... (full context)
Protection, Self-Sufficiency, and Maturity  Theme Icon
...to breathe. After a few hours, Timothy drags Phillip and Stew Cat to the palm tree. He loops Phillip’s arms through the ropes, then ties himself behind the boy, protecting him... (full context)
Protection, Self-Sufficiency, and Maturity  Theme Icon
...storm offers him and Timothy a brief respite. They sit at the foot of the tree and Phillip can hear Timothy quietly crying as if he’s in great pain. But when... (full context)
Protection, Self-Sufficiency, and Maturity  Theme Icon
Education vs. Experience  Theme Icon
...Stew Cat is gone. Timothy loosens himself from the ropes and slides out from the tree. Timothy’s body sags against the palm, his weight and the wetness of the ropes making... (full context)
Chapter 17
...hurricane, Phillip feels desperate for some variety in his diet. He’s tired of fish and sea-grape leaves, and he wants to save the few remaining coconuts for later. He decides to... (full context)
Chapter 19
Protection, Self-Sufficiency, and Maturity  Theme Icon
Education vs. Experience  Theme Icon
...of a small ship and American voices. Taking nothing but Stew Cat and Timothy’s hunting knife, he goes with them aboard their dinghy, which carries him back to an American destroyer.... (full context)