The Cutting Season takes place on an old Louisiana sugar plantation—in the year 2009. The novel confronts the reader with the oddity of this anachronism, something the locals are totally accustomed to but which visitors (especially Black visitors) find strange and sometimes sickening. Locke conjures the strangeness of a physical setting utterly defined by slavery but which was not done away with along with slavery. The grounds have been turned into an educational tourist attraction in which local Black residents take pride, as it memorializes the toil of their enslaved ancestors. Yet the novel makes clear that the legacy of that institution has by no means been overturned: the wealthy White Clancy family, who got the land right after the Civil War, still owns the plantation, and Black descendants of local enslaved people still make up most of the staff. The play staged for tourists is a nostalgic and implicitly racist evocation of the glory of the pre-Civil War days, tragically brought to an end with the Confederacy’s defeat—an interpretation Donovan seeks to overturn with his exposing historical film.
The novel shows how the attitude of White and moneyed impunity lives on, particularly in capricious violence towards poor non-Whites. It does this by creating a parallel between the murderous Bobby Clancy and Tynan, his distant ancestor, who murdered Caren’s ancestor Jason. Yet the parallel functions not just for Bobby and Tynan but for Jason and recent murder victim Ines, suggesting a kinship between their historical situations—something Caren comes to recognize explicitly. The realization allows her to sympathize with Hispanic migrant workers—significantly, because many of the Black staff and locals at Belle Vie treat the migrants with contempt, for allegedly taking their jobs and driving down wages. Through these parallels, the novel suggests that slavery’s legacy is self-perpetuating, replicating itself in damaging ways in the descendants of both enslavers and those they enslaved. In Caren’s act of sympathetic imagination with Ines and her community, the novel further suggests a way out of this trap.
Racism and the Legacy of Slavery ThemeTracker
Racism and the Legacy of Slavery Quotes in The Cutting Season
Chapter 1 Quotes
Still, she took it as a sign. A reminder, really, that Belle Vie, its beauty, was not to be trusted. That beneath its loamy topsoil, the manicured grounds and gardens, two centuries of breathtaking wealth and spectacle, lay a land both black and bitter, soft to the touch, but pressing in its power. She should have known that one day it would spit out what it no longer has use for, the secrets it would no longer keep.
The Grays, for generations, had stayed clear of the main house, either by fate or by choice. And now, six days out of the week, Caren sat comfortably at her desk, looking out over fields where her ancestors had cut sugarcane by hand, both before and after the Civil War.
Chapter 2 Quotes
She’d gone over the ballot three or four times, standing alone in the booth, tracing a finger under the first line, the word President. She wondered what her mother would have made of that, if she’d lived to see it.
Chapter 6 Quotes
The law, she knew, is a narrow little box, and it only takes a single misstep to find yourself on the outside of it.
Chapter 8 Quotes
She had long known there were things they didn’t tell her, as a rule […] They didn’t consider her one of them. Apart from Lorraine, Ennis, and Luis, they didn’t know her personal history, her upbringing as the daughter of the plantation’s cook. To them, she was management, with a capital M, the eyes and ears of Raymond Clancy.
Chapter 13 Quotes
It was only supposed to be for one year. But the place got a hold of her, from that first day, the first hour even.
Chapter 17 Quotes
He’d never seen anything like it, and Caren found herself wanting to reach for his hand, because no person should experience this moment alone, this face-to-face meeting with one’s own history, the family you never knew you had.
Chapter 18 Quotes
Caren should have paid more attention […] She could only recall the soft whispers in her ear, nights her mother tried to tell her, over and over, that Jason’s life mattered, that his story was in their blood.
Chapter 19 Quotes
Someone had been out here searching for whatever it was that lay beneath the surface.
Chapter 20 Quotes
Were they so different really, Jason and Ines, two cane workers separated by time and not much else?
Chapter 30 Quotes
The scene of an ancient murder trial played before them.
“What is this?” one of the Groveland employees asked.
“Belle Vie,” Caren said.
This is what you bought.
“Leave it, Lorraine,” she said, her tongue light with champagne, her mood brighter than it had been in weeks, years even. Leave it just as it is.



