The House of Bernarda Alba

by Federico García Lorca
Twenty-year-old Adela is Bernarda’s youngest, most beautiful, and least cynical daughter. She falls in love with Pepe el Romano, who makes plans to marry her older sister Angustias but seduces and sleeps with Adela in secret. Adela is determined not to let her mother’s dictates crush her sense of passion and independence. She refuses to be spurned (like Martirio) or resign herself to spinsterhood (like Magdalena). But her stubborn insistence on living according to her own rules also contributes to her tragic death at the end of the play. When Martirio points out the straw on Adela’s dress, which serves as incontrovertible evidence of her affair with Pepe, Bernarda goes to shoot Pepe and pretends that she was successful. Adela responds by committing suicide. Depending on the interpretation, Adela’s tragic, final act of resistance may reflect her desperate love for Pepe, her refusal to submit to her mother, or her recognition that women can never truly be free under traditional rural Spanish conceptions of honor.

Adela Quotes in The House of Bernarda Alba

The The House of Bernarda Alba quotes below are all either spoken by Adela or refer to Adela. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Freedom, Desire, and Tragedy  Theme Icon
).

Act 1 Quotes

(As the two hundred women mourners finish coming in, BERNARDA ALBA and her five daughters appear. BERNARDA is leaning on a cane)

BERNARDA: (To the MAID) Silence!

Related Characters: Bernarda Alba (speaker), The Maid, Antonio María Benavides, Adela
Page Number and Citation: 199
Explanation and Analysis:

ADELA: Here you are. (She gives her a round fan decorated with red and green flowers)

BERNARDA: (Hurling the fan to the floor) Is this the fan you give to a widow? Give me a black one, and learn to respect your father’s memory!

Related Characters: Adela (speaker), Bernarda Alba (speaker), Antonio María Benavides
Related Symbols: White, Black, and Color
Page Number and Citation: 204-205
Explanation and Analysis:

ADELA: I’m thinking that this period of mourning has caught me at the worst possible time.

MAGDALENA: You’ll soon get used to it.

ADELA: (Bursting into angry tears) I will not get used to it! I don't want to be locked up! I don't want my body to dry up like yours! I don't want to waste away and grow old in these rooms. Tomorrow, I’ll put on my green dress and go walking down the street. I want to get out!

Related Characters: Adela (speaker), Magdalena (speaker)
Related Symbols: White, Black, and Color
Page Number and Citation: 220
Explanation and Analysis:

Act 2 Quotes

ADELA: She follows me everywhere. Sometimes she peeks into my room to see if I’m asleep. She won’t let me breathe! And it’s always, “What a shame about that face!” “What a shame about that body, which will never belong to anyone!” No! My body will be for anyone I please.

Related Characters: Adela (speaker), Poncia , Martirio, Pepe el Romano , Bernarda Alba
Page Number and Citation: 234
Explanation and Analysis:

PONCIA: Besides, who says you can’t marry him? Your sister Angustias is sickly. She won't survive her first childbirth. She's narrow in the hips, old, and from what I know, I can tell she’ll die. Then Pepe will do what all widowers do in this country: he’ll marry the youngest, the most beautiful, and that will be you. Live on that hope or forget him, whatever you want: just don’t go against the law of God!

Related Characters: Poncia (speaker), Pepe el Romano , Adela, Angustias, Bernarda Alba
Page Number and Citation: 236
Explanation and Analysis:

ADELA: (Sitting down) Oh, if only I could go out to the fields, too!

MAGDALENA: (Sitting down) Each class does what it must.

MARTIRIO: (Sitting down) That’s how it is.

(AMELIA sits down with a sigh)

PONCIA: There’s no greater joy than being in the fields at this time of year! Yesterday morning the harvesters arrived. Forty or fifty good-looking young men.

Related Characters: Adela (speaker), Magdalena (speaker), Martirio (speaker), Poncia (speaker), Bernarda Alba
Page Number and Citation: 240
Explanation and Analysis:

AMELIA: To be born a woman is the worst punishment.

Related Characters: Amelia (speaker), Magdalena, Bernarda Alba, Adela
Page Number and Citation: 241
Explanation and Analysis:

PONCIA: (With unrelenting cruelty) Bernarda, something monstrous is happening here. I don’t want to blame you, but you haven’t allowed your daughters any freedom. Martirio is romantic, no matter what you say. Why didn't you let her marry Enrique Humanas? Why did you send him a message not to come to her window, the very day he was coming?

BERNARDA: (Loud) And I would do it a thousand times again! My blood will never mix with that of the Humanas family—not as long as I live! His father was a field hand.

PONCIA: This is what comes of putting on airs!

BERNARDA: I do because I can afford to! And you don’t because you know very well what you come from.

Related Characters: Poncia (speaker), Bernarda Alba (speaker), Martirio, Adela
Page Number and Citation: 253
Explanation and Analysis:

(Outside, a woman screams, and there is a great uproar)

ADELA: They should let her go! Don’t go out there!

MARTIRIO: (Looking at ADELA) Let her pay for what she did.

BERNARDA: (In the archway) Finish her off before the Civil Guard gets here! Burning coals in the place where she sinned!

ADELA: (Clutching her womb) No! No!

BERNARDA: Kill her! Kill her!

CURTAIN

Related Characters: Adela (speaker), Martirio (speaker), Bernarda Alba (speaker), Pepe el Romano , Maria Josefa
Page Number and Citation: 261
Explanation and Analysis:

Act 3 Quotes

PRUDENCIA: It’s lovely. Three pearls! In my day, pearls meant tears.

ANGUSTIAS: But things have changed now.

ADELA: I don’t think so. Things always mean the same. Engagement rings are supposed to be diamonds.

PRUDENCIA: It’s more appropriate.

Related Characters: Adela (speaker), Prudencia (speaker), Angustias (speaker), Pepe el Romano
Page Number and Citation: 266
Explanation and Analysis:

ADELA: Mother, when there’s a shooting star or a flash of lightning, why do we say:

Blessed Santa Barbara, why
Are you writing, up so high,
With holy water in the sky?

BERNARDA: In the old days they knew many things that we have forgotten.

AMELIA: I close my eyes so I won’t see them!

ADELA: Not me. I like to see things blazing through the sky, after being motionless year after year.

Related Characters: Bernarda Alba (speaker), Amelia (speaker), Adela (speaker), Pepe el Romano
Related Symbols: White, Black, and Color
Page Number and Citation: 272
Explanation and Analysis:

PONCIA: There’s nothing I can do. I tried to put a stop to all this, but now it frightens me too much. Do you hear this silence? Well, there’s a storm brewing in every room. The day it bursts, we’ll all be swept away! I’ve said what I had to say.

Related Characters: Poncia (speaker), The Maid, Bernarda Alba, Martirio, Adela
Page Number and Citation: 276
Explanation and Analysis:

MARTIRIO: (Pointing at ADELA) She was with him! Look at her petticoats, covered with straw!

BERNARDA: That is the bed of sinful women! (She moves toward ADELA, furious)

ADELA: (Confronting her) The shouting in this prison is over! (She seizes her mother’s cane and breaks it in two) This is what I do with the tyrant’s rod! Don’t take one step more. No one gives me orders but Pepe!

Related Characters: Bernarda Alba (speaker), Adela (speaker), Martirio (speaker), Pepe el Romano
Page Number and Citation: 285
Explanation and Analysis:

(A shot is heard)

BERNARDA: (Entering) I dare you to find him now!

MARTIRIO: (Entering) That’s the end of Pepe el Romano!

ADELA: Pepe! My God! Pepe! (She runs out of the room)

Related Characters: Bernarda Alba (speaker), Martirio (speaker), Adela (speaker), Poncia , Pepe el Romano
Page Number and Citation: 286
Explanation and Analysis:

BERNARDA: I want no weeping. We must look death in the face. Silence! (To another daughter) Be quiet, I said! (To another daughter) Tears, when you’re alone. We will all drown ourselves in a sea of mourning. The youngest daughter of Bernarda Alba has died a virgin. Did you hear me? Silence! Silence, I said! Silence!

CURTAIN

Related Characters: Bernarda Alba (speaker), Adela, Antonio María Benavides, Pepe el Romano
Page Number and Citation: 288
Explanation and Analysis:
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Adela Character Timeline in The House of Bernarda Alba

The timeline below shows where the character Adela appears in The House of Bernarda Alba. The colored dots and icons indicate which themes are associated with that appearance.
Act 1
Freedom, Desire, and Tragedy  Theme Icon
Patriarchy and Domination Theme Icon
Class and Honor Theme Icon
Tradition and Modernity in Spain Theme Icon
Bernarda makes her youngest daughter Adela give her a fan, but she throws it on the ground because it is red... (full context)
Freedom, Desire, and Tragedy  Theme Icon
Patriarchy and Domination Theme Icon
Class and Honor Theme Icon
Tradition and Modernity in Spain Theme Icon
...At Bernarda’s orders, the Maid takes Maria Josefa out to the courtyard, by the well. Adela reports that Bernarda’s oldest daughter, Angustias, was peeking out the door at the men. Bernarda... (full context)
Freedom, Desire, and Tragedy  Theme Icon
Patriarchy and Domination Theme Icon
Tradition and Modernity in Spain Theme Icon
...asks about Martirio’s medicine, which Martirio confirms she is taking. Martirio comments that their friend Adelaida didn’t attend the funeral because her fiancé forbids her to leave the house. Adelaida’s father... (full context)
Freedom, Desire, and Tragedy  Theme Icon
Patriarchy and Domination Theme Icon
Class and Honor Theme Icon
...four women’s half-sister—her father was Bernarda’s first husband, and she has inherited all his money.) Adela enters in her beautiful green dress, which she wishes she could wear outside. When she... (full context)
Act 2
Freedom, Desire, and Tragedy  Theme Icon
Patriarchy and Domination Theme Icon
Class and Honor Theme Icon
Tradition and Modernity in Spain Theme Icon
Bernarda’s daughters, except Adela, are embroidering with Poncia. As she embroiders sheets for Amelia, Magdalena jokes to Angustias that... (full context)
Freedom, Desire, and Tragedy  Theme Icon
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Magdalena goes to check on Adela, who Angustias says is envious and mad. Magdalena brings Adela inside, but Adela says she... (full context)
Freedom, Desire, and Tragedy  Theme Icon
Patriarchy and Domination Theme Icon
Class and Honor Theme Icon
Adela complains that Martirio constantly watches her and comments on her face and body. “My body... (full context)
Freedom, Desire, and Tragedy  Theme Icon
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Angustias enters, and Adela and Poncia pretend they are just arguing about errands. Satisfied, Angustias leaves. Martirio, Amelia, and... (full context)
Patriarchy and Domination Theme Icon
Adela, Magdalena, and Poncia go to watch the men out of Adela’s bedroom window. Meanwhile, Martirio... (full context)
Patriarchy and Domination Theme Icon
Class and Honor Theme Icon
...Angustias stops her. Martirio claims she was just playing a prank on her sister, but Adela insists that Martirio is in love with Pepe, too. Martirio declares that “the walls will... (full context)
Freedom, Desire, and Tragedy  Theme Icon
Patriarchy and Domination Theme Icon
...one another of sin; Angustias reminds the others that Pepe el Romano chose her, but Adela, Martirio, and Magdalena declare that he just wants her money. Distraught, Bernarda kicks her daughters... (full context)
Freedom, Desire, and Tragedy  Theme Icon
Patriarchy and Domination Theme Icon
Class and Honor Theme Icon
Tradition and Modernity in Spain Theme Icon
...need to say something, and that it would be better for everyone if Pepe marries Adela—the woman he really loves. “Things are never the way we would like them to be,”... (full context)
Freedom, Desire, and Tragedy  Theme Icon
Patriarchy and Domination Theme Icon
Class and Honor Theme Icon
Tradition and Modernity in Spain Theme Icon
...Angustias says she speaks to Pepe through her bedroom window, not the alley window. As Adela stands in the doorway, Bernarda, Poncia, and Martirio all realize that something is wrong. Adela... (full context)
Class and Honor Theme Icon
...for breaking their mourning obligations when they try to follow. Everyone leaves but Martirio and Adela, who both threaten to expose the other. Martirio claims that she’s attracted to Pepe, but... (full context)
Freedom, Desire, and Tragedy  Theme Icon
Patriarchy and Domination Theme Icon
Class and Honor Theme Icon
Tradition and Modernity in Spain Theme Icon
...want to kill her. Bernarda announces that they should, as she has “trample[d] on decency.” Adela says they should let the woman live, but Martirio stares straight at Adela and says,... (full context)
Act 3
Freedom, Desire, and Tragedy  Theme Icon
Class and Honor Theme Icon
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Adela gets up for water, but Bernarda orders her to sit down and calls for the... (full context)
Freedom, Desire, and Tragedy  Theme Icon
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Adela decides to go stand at the front door, and Amelia and Martirio insist on following... (full context)
Freedom, Desire, and Tragedy  Theme Icon
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Adela, Amelia, and Martirio arrive. They comment on the black night, the giant white stallion, and... (full context)
Freedom, Desire, and Tragedy  Theme Icon
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...ignoring the truth to confronting it and underestimates Pepe’s power over her daughters. Poncia blames Adela for leading Pepe on—and, rumor says, for letting him sleep with her. But now, Adela... (full context)
Freedom, Desire, and Tragedy  Theme Icon
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Adela walks by in her petticoats and bodice, gets a glass of water, and leaves. Poncia... (full context)
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Martirio sees Adela, whose hair is unkempt, and tells her to stay away from Pepe. But Adela says... (full context)
Freedom, Desire, and Tragedy  Theme Icon
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Adela declares that Pepe is hers, even if this means “one of us has to drown.”... (full context)
Freedom, Desire, and Tragedy  Theme Icon
Patriarchy and Domination Theme Icon
Class and Honor Theme Icon
Tradition and Modernity in Spain Theme Icon
Bernarda comes onstage and Martirio notes the straw on Adela’s petticoats. Bernarda calls Adela sinful, but Adela grabs Bernarda’s cane and snaps it in half.... (full context)
Freedom, Desire, and Tragedy  Theme Icon
Class and Honor Theme Icon
...Martirio return to the stage, and Martirio triumphantly declares that Pepe is no more. Distraught, Adela runs off into her room. Then, Martirio admits that they didn’t actually hit Pepe—they shot... (full context)
Freedom, Desire, and Tragedy  Theme Icon
Tradition and Modernity in Spain Theme Icon
Poncia shoves open Adela’s door, runs inside, screams, and then runs back to the stage, clutching her own throat.... (full context)