The Piano Lesson

by

August Wilson

Teachers and parents! Our Teacher Edition on The Piano Lesson makes teaching easy.

Berniece Character Analysis

Berniece, one of the protagonists, is Doaker’s niece and lives with him in Pittsburgh, having moved there from Mississippi a few years ago. She is 35 years old and has an 11-year-old daughter, Maretha. A widow, Berniece has been in mourning for her late husband, Crawley, for three years. Berniece cleans house for a steel mill bigshot in Pittsburgh’s Squirrel Hill neighborhood. Berniece is a strong-willed woman, portrayed as levelheaded, serious, and single-mindedly focused on providing for Maretha and herself. However, she can be fiery and emotional when the moment calls for it: for example, she resolutely refuses to sell the family piano when her brother, Boy Willie, asks. Though she refuses to play the piano herself or to teach Maretha its history because of the sorrowful memories it evokes, she senses that it occupies an important place in the family’s identity and won’t part with it. Berniece has been dating Avery Brown for a couple of years, though it’s suggested that her independent streak and self-sufficiency will complicate matters between the two of them. At the end of the play, Berniece finally plays the piano in order to expel Sutter’s ghost, allowing herself to be positively connected to the spirits of her parents and ancestors for the first time in many years.

Berniece Quotes in The Piano Lesson

The The Piano Lesson quotes below are all either spoken by Berniece or refer to Berniece. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Racism and Self-determination Theme Icon
).
Act 1, Scene 1 Quotes

BOY WILLIE: Lymon bought that truck so he have him a place to sleep. He down there wasn’t doing no work or nothing. Sheriff looking for him. He bought that truck to keep away from the sheriff. Got Stovall looking for him too. He down there sleeping in that truck ducking and dodging both of them. I told him come on let’s go up and see my sister.

Related Characters: Boy Willie (speaker), Berniece, Lymon Jackson, Jim Stovall
Related Symbols: Truck
Page Number: 6
Explanation and Analysis:

BOY WILLIE: Sutter’s brother selling the land. He say he gonna sell it to me. That’s why I come up here. I got one part of it. Sell them watermelons and get me another part. Get Berniece to sell that piano and I’ll have the third part.

DOAKER: Berniece ain’t gonna sell that piano.

BOY WILLIE: I’m gonna talk to her. When she see I got a chance to get Sutter’s land she’ll come around.

DOAKER: You can put that thought out your mind. Berniece ain’t gonna sell that piano.

Related Characters: Boy Willie (speaker), Doaker Charles (speaker), Berniece, Sutter (Sutter’s Ghost), Mama Berniece, Papa Boy Charles, Robert Sutter, Ophelia Sutter
Related Symbols: Piano
Page Number: 9
Explanation and Analysis:

DOAKER: You know she won’t touch that piano. I ain’t never known her to touch it since Mama Ola died. That’s over seven years now. She say it got blood on it. She got Maretha playing on it though. Say Maretha can go on and do everything she can’t do. Got her in an extra school down at the Irene Kaufman Settlement House. She want Maretha to grow up and be a schoolteacher. Say she good enough she can teach on the piano.

Related Characters: Doaker Charles (speaker), Berniece, Boy Willie, Maretha, Mama Ola
Related Symbols: Piano
Page Number: 10
Explanation and Analysis:

That’s why I come up here. Sell them watermelons. Get Berniece to sell that piano. Put them two parts with the part I done saved. Walk in there. Tip my hat. Lay my money down on the table. Get my deed and walk on out. This time I get to keep all the cotton. Hire me some men to work it for me. Gin my cotton. Get my seed. And I’ll see you again next year. Might even plant some tobacco or some oats.

Related Characters: Boy Willie (speaker), Berniece, Doaker Charles, Sutter (Sutter’s Ghost)
Related Symbols: Piano
Page Number: 11
Explanation and Analysis:
Act 1, Scene 2 Quotes

WINING BOY: A lot of things you got to find out on your own. I can’t say how they talked to nobody else. But to me it just filled me up in a strange sort of way to be standing there on that spot. I didn’t want to leave. […] I walked away from there feeling like a king. Went on and had a stroke of luck that run on for three years. So I don’t care if Berniece believe or not. Berniece ain’t got to believe. I know cause I been there. Now Doaker’ll tell you about the Ghosts of the Yellow Dog.

Related Characters: Wining Boy (speaker), Berniece, Doaker Charles
Page Number: 35
Explanation and Analysis:

Boy Charles used to talk about that piano all the time. He never could get it off his mind. […] He be talking about taking it out of Sutter’s house. Say it was the story of our whole family and as long as Sutter had it…he had us. Say we was still in slavery. Me and Wining Boy tried to talk him out of it but it wouldn’t do any good. Soon as he quiet down about it he’d start up again. We seen where he wasn’t gonna get it off his mind…so, on the Fourth of July, 1911…when Sutter was at the picnic what the county give every year…me and Wining Boy went on down there with him and took that piano out of Sutter’s house.

Related Characters: Doaker Charles (speaker), Berniece, Boy Willie, Wining Boy, Sutter (Sutter’s Ghost), Boy Charles
Related Symbols: Piano
Page Number: 45
Explanation and Analysis:

Mama Ola polished this piano with her tears for seventeen years. For seventeen years she rubbed on it till her hands bled. Then she rubbed the blood in…mixed it up with the rest of the blood on it. Every day that God breathed life into her body she rubbed and cleaned and polished and prayed over it. “Play something for me, Berniece. Play something for me, Berniece.” […] You always talking about your daddy but you ain’t never stopped to look at what his foolishness cost your mama. Seventeen years’ worth of cold nights and an empty bed. For what?

Related Characters: Berniece (speaker), Boy Willie, Mama Ola, Boy Charles
Related Symbols: Piano
Page Number: 52
Explanation and Analysis:
Act 2, Scene 2 Quotes

BERNIECE: You trying to tell me a woman can’t be nothing without a man. But you alright, huh? You can just walk out of here without me—without a woman—and still be a man. That’s alright. Ain’t nobody gonna ask you, “Avery, who you got to love you?’’ That’s alright for you. But everybody gonna be worried about Berniece.

Related Characters: Berniece (speaker), Avery Brown, Maretha
Page Number: 67
Explanation and Analysis:

I was only playing it for her. When my daddy died seem like all her life went into that piano. She used to have me playing on it […] say when I played it she could hear my daddy talking to her. I used to think them pictures came alive and walked through the house. Sometime late at night I could hear my mama talking to them. I said that wasn’t gonna happen to me. I don’t play that piano cause I don’t want to wake them spirits. They never be walking around in this house.

Related Characters: Berniece (speaker), Avery Brown, Maretha, Mama Ola, Boy Charles
Related Symbols: Piano
Page Number: 70
Explanation and Analysis:

AVERY: You got to put all of that behind you, Berniece. That’s the same thing like Crawley. Everybody got stones in their passway. You got to step over them or walk around them. You picking them up and carrying them with you. All you got to do is set them down by the side of the road. You ain’t got to carry them with you. You can walk over there right now and play that piano. You can walk over there right now and God will walk over there with you. […] You can walk over here right now and make it into a celebration.

Related Characters: Avery Brown (speaker), Berniece, Boy Willie, Maretha, Crawley
Related Symbols: Piano
Page Number: 71
Explanation and Analysis:
Act 2, Scene 5 Quotes

That’s when I discovered the power of death. […] [The white man] can’t hold that power over you. That’s what I learned when I killed that cat. I got the power of death too. I can command him. I can call him up. The white man don’t like to see that. He don’t like for you to stand up and look him square in the eye and say, “I got it too.’’ Then he got to deal with you square up.

Related Characters: Boy Willie (speaker), Berniece
Page Number: 88
Explanation and Analysis:

You ought to mark down on the calendar the day that Papa Boy Charles brought that piano into the house. You ought to mark that day down and draw a circle around it . . . and every year when it come up throw a party. Have a celebration. If you did that she wouldn’t have no problem in life. She could walk around here with her head held high. […] You got her going out here thinking she wrong in the world. Like there ain’t no part of it belong to her.

Related Characters: Boy Willie (speaker), Berniece, Maretha
Related Symbols: Piano
Page Number: 91
Explanation and Analysis:

AVERY: Berniece, I can’t do it.

(There are more sounds heard from upstairs. DOAKER and WINING BOY stare at one another in stunned disbelief. It is in this moment, from somewhere old, that BERNIECE realizes what she must do. She crosses to the piano. She begins to play. The song is found piece by piece. It is an old urge to song that is both a commandment and a plea. With each repetition it gains in strength. It is intended as an exorcism and a dressing for battle[.])

Related Characters: Avery Brown (speaker), Berniece, Boy Willie, Doaker Charles, Wining Boy, Sutter (Sutter’s Ghost)
Related Symbols: Piano
Page Number: 106
Explanation and Analysis:
Get the entire The Piano Lesson LitChart as a printable PDF.
The Piano Lesson PDF

Berniece Quotes in The Piano Lesson

The The Piano Lesson quotes below are all either spoken by Berniece or refer to Berniece. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Racism and Self-determination Theme Icon
).
Act 1, Scene 1 Quotes

BOY WILLIE: Lymon bought that truck so he have him a place to sleep. He down there wasn’t doing no work or nothing. Sheriff looking for him. He bought that truck to keep away from the sheriff. Got Stovall looking for him too. He down there sleeping in that truck ducking and dodging both of them. I told him come on let’s go up and see my sister.

Related Characters: Boy Willie (speaker), Berniece, Lymon Jackson, Jim Stovall
Related Symbols: Truck
Page Number: 6
Explanation and Analysis:

BOY WILLIE: Sutter’s brother selling the land. He say he gonna sell it to me. That’s why I come up here. I got one part of it. Sell them watermelons and get me another part. Get Berniece to sell that piano and I’ll have the third part.

DOAKER: Berniece ain’t gonna sell that piano.

BOY WILLIE: I’m gonna talk to her. When she see I got a chance to get Sutter’s land she’ll come around.

DOAKER: You can put that thought out your mind. Berniece ain’t gonna sell that piano.

Related Characters: Boy Willie (speaker), Doaker Charles (speaker), Berniece, Sutter (Sutter’s Ghost), Mama Berniece, Papa Boy Charles, Robert Sutter, Ophelia Sutter
Related Symbols: Piano
Page Number: 9
Explanation and Analysis:

DOAKER: You know she won’t touch that piano. I ain’t never known her to touch it since Mama Ola died. That’s over seven years now. She say it got blood on it. She got Maretha playing on it though. Say Maretha can go on and do everything she can’t do. Got her in an extra school down at the Irene Kaufman Settlement House. She want Maretha to grow up and be a schoolteacher. Say she good enough she can teach on the piano.

Related Characters: Doaker Charles (speaker), Berniece, Boy Willie, Maretha, Mama Ola
Related Symbols: Piano
Page Number: 10
Explanation and Analysis:

That’s why I come up here. Sell them watermelons. Get Berniece to sell that piano. Put them two parts with the part I done saved. Walk in there. Tip my hat. Lay my money down on the table. Get my deed and walk on out. This time I get to keep all the cotton. Hire me some men to work it for me. Gin my cotton. Get my seed. And I’ll see you again next year. Might even plant some tobacco or some oats.

Related Characters: Boy Willie (speaker), Berniece, Doaker Charles, Sutter (Sutter’s Ghost)
Related Symbols: Piano
Page Number: 11
Explanation and Analysis:
Act 1, Scene 2 Quotes

WINING BOY: A lot of things you got to find out on your own. I can’t say how they talked to nobody else. But to me it just filled me up in a strange sort of way to be standing there on that spot. I didn’t want to leave. […] I walked away from there feeling like a king. Went on and had a stroke of luck that run on for three years. So I don’t care if Berniece believe or not. Berniece ain’t got to believe. I know cause I been there. Now Doaker’ll tell you about the Ghosts of the Yellow Dog.

Related Characters: Wining Boy (speaker), Berniece, Doaker Charles
Page Number: 35
Explanation and Analysis:

Boy Charles used to talk about that piano all the time. He never could get it off his mind. […] He be talking about taking it out of Sutter’s house. Say it was the story of our whole family and as long as Sutter had it…he had us. Say we was still in slavery. Me and Wining Boy tried to talk him out of it but it wouldn’t do any good. Soon as he quiet down about it he’d start up again. We seen where he wasn’t gonna get it off his mind…so, on the Fourth of July, 1911…when Sutter was at the picnic what the county give every year…me and Wining Boy went on down there with him and took that piano out of Sutter’s house.

Related Characters: Doaker Charles (speaker), Berniece, Boy Willie, Wining Boy, Sutter (Sutter’s Ghost), Boy Charles
Related Symbols: Piano
Page Number: 45
Explanation and Analysis:

Mama Ola polished this piano with her tears for seventeen years. For seventeen years she rubbed on it till her hands bled. Then she rubbed the blood in…mixed it up with the rest of the blood on it. Every day that God breathed life into her body she rubbed and cleaned and polished and prayed over it. “Play something for me, Berniece. Play something for me, Berniece.” […] You always talking about your daddy but you ain’t never stopped to look at what his foolishness cost your mama. Seventeen years’ worth of cold nights and an empty bed. For what?

Related Characters: Berniece (speaker), Boy Willie, Mama Ola, Boy Charles
Related Symbols: Piano
Page Number: 52
Explanation and Analysis:
Act 2, Scene 2 Quotes

BERNIECE: You trying to tell me a woman can’t be nothing without a man. But you alright, huh? You can just walk out of here without me—without a woman—and still be a man. That’s alright. Ain’t nobody gonna ask you, “Avery, who you got to love you?’’ That’s alright for you. But everybody gonna be worried about Berniece.

Related Characters: Berniece (speaker), Avery Brown, Maretha
Page Number: 67
Explanation and Analysis:

I was only playing it for her. When my daddy died seem like all her life went into that piano. She used to have me playing on it […] say when I played it she could hear my daddy talking to her. I used to think them pictures came alive and walked through the house. Sometime late at night I could hear my mama talking to them. I said that wasn’t gonna happen to me. I don’t play that piano cause I don’t want to wake them spirits. They never be walking around in this house.

Related Characters: Berniece (speaker), Avery Brown, Maretha, Mama Ola, Boy Charles
Related Symbols: Piano
Page Number: 70
Explanation and Analysis:

AVERY: You got to put all of that behind you, Berniece. That’s the same thing like Crawley. Everybody got stones in their passway. You got to step over them or walk around them. You picking them up and carrying them with you. All you got to do is set them down by the side of the road. You ain’t got to carry them with you. You can walk over there right now and play that piano. You can walk over there right now and God will walk over there with you. […] You can walk over here right now and make it into a celebration.

Related Characters: Avery Brown (speaker), Berniece, Boy Willie, Maretha, Crawley
Related Symbols: Piano
Page Number: 71
Explanation and Analysis:
Act 2, Scene 5 Quotes

That’s when I discovered the power of death. […] [The white man] can’t hold that power over you. That’s what I learned when I killed that cat. I got the power of death too. I can command him. I can call him up. The white man don’t like to see that. He don’t like for you to stand up and look him square in the eye and say, “I got it too.’’ Then he got to deal with you square up.

Related Characters: Boy Willie (speaker), Berniece
Page Number: 88
Explanation and Analysis:

You ought to mark down on the calendar the day that Papa Boy Charles brought that piano into the house. You ought to mark that day down and draw a circle around it . . . and every year when it come up throw a party. Have a celebration. If you did that she wouldn’t have no problem in life. She could walk around here with her head held high. […] You got her going out here thinking she wrong in the world. Like there ain’t no part of it belong to her.

Related Characters: Boy Willie (speaker), Berniece, Maretha
Related Symbols: Piano
Page Number: 91
Explanation and Analysis:

AVERY: Berniece, I can’t do it.

(There are more sounds heard from upstairs. DOAKER and WINING BOY stare at one another in stunned disbelief. It is in this moment, from somewhere old, that BERNIECE realizes what she must do. She crosses to the piano. She begins to play. The song is found piece by piece. It is an old urge to song that is both a commandment and a plea. With each repetition it gains in strength. It is intended as an exorcism and a dressing for battle[.])

Related Characters: Avery Brown (speaker), Berniece, Boy Willie, Doaker Charles, Wining Boy, Sutter (Sutter’s Ghost)
Related Symbols: Piano
Page Number: 106
Explanation and Analysis: