Motifs

The Return of the Native

by Thomas Hardy

The Return of the Native: Motifs 3 key examples

Definition of Motif

A motif is an element or idea that recurs throughout a work of literature. Motifs, which are often collections of related symbols, help develop the central themes of a book... read full definition
A motif is an element or idea that recurs throughout a work of literature. Motifs, which are often collections of related symbols, help develop the... read full definition
A motif is an element or idea that recurs throughout a work of literature. Motifs, which are often collections of... read full definition
Book 1, Chapter 3
Explanation and Analysis—Bonfires:

The recurring motif of bonfires in this novel represents passion, secrecy, danger, and the primal instincts of the characters. Bonfires are bright, intense, and have an inherent potential for destruction.  Hardy depicts them in lavish detail, employing visual imagery, metaphors, and similes when describing them and the events they point toward. The vivid visual language associated with fire creates a strong impression on the reader. For example, in this passage from Book 1, Chapter 3, Hardy describes a night-time scene on the heath as the Guy Fawkes Night bonfires are set ablaze:

Red suns and tufts of fire one by one began to arise, flecking the whole country round. They were the bonfires of other parishes and hamlets that were engaged in the same sort of commemoration. Some were distant, and stood in a dense atmosphere, so that bundles of pale straw-like beams radiated around them in the shape of a fan. Some were large and near, glowing scarlet-red from the shade, like wounds in a black hide. [...] These tinctured the silent bosom of the clouds above them and lit up their ephemeral caves, which seemed thenceforth to become scalding caldrons.

Book 1, Chapter 6
Explanation and Analysis—Bonfires:

The recurring motif of bonfires in this novel represents passion, secrecy, danger, and the primal instincts of the characters. Bonfires are bright, intense, and have an inherent potential for destruction.  Hardy depicts them in lavish detail, employing visual imagery, metaphors, and similes when describing them and the events they point toward. The vivid visual language associated with fire creates a strong impression on the reader. For example, in this passage from Book 1, Chapter 3, Hardy describes a night-time scene on the heath as the Guy Fawkes Night bonfires are set ablaze:

Red suns and tufts of fire one by one began to arise, flecking the whole country round. They were the bonfires of other parishes and hamlets that were engaged in the same sort of commemoration. Some were distant, and stood in a dense atmosphere, so that bundles of pale straw-like beams radiated around them in the shape of a fan. Some were large and near, glowing scarlet-red from the shade, like wounds in a black hide. [...] These tinctured the silent bosom of the clouds above them and lit up their ephemeral caves, which seemed thenceforth to become scalding caldrons.

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Book 1, Chapter 7
Explanation and Analysis—Darkness:

In the following passage from Book 1, Chapter 7, Hardy establishes the motif of darkness, which becomes a regular occurrence in The Return of the Native. The narrator employs dark visual imagery and several metaphors and similes referencing darkness to underscore Eustacia Vye's inner turmoil:

Egdon was her Hades, and since coming there she had imbibed much of what was dark in its tone, though inwardly and eternally unreconciled thereto. Her appearance accorded well with this smouldering rebelliousness, and the shady splendour of her beauty was the real surface of the sad and stifled warmth within her.

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Explanation and Analysis—Flame-Like:

Eustacia Vye is linked to the imagery of flames, fire and heat throughout the novel. This motif—and the metaphors and similes of fire Hardy uses when it occurs—refers to her inflammatory character. It also gestures to her passionate nature and her tendency to act destructively when out of control. In Book 1, Chapter 7, the narrator comments that:

Assuming that the souls of men and women were visible essences, you could fancy the colour of Eustacia’s soul to be flame-like. The sparks from it that rose into her dark pupils gave the same impression.

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Book 1, Chapter 8
Explanation and Analysis—Darkness:

In the following passage from Book 1, Chapter 7, Hardy establishes the motif of darkness, which becomes a regular occurrence in The Return of the Native. The narrator employs dark visual imagery and several metaphors and similes referencing darkness to underscore Eustacia Vye's inner turmoil:

Egdon was her Hades, and since coming there she had imbibed much of what was dark in its tone, though inwardly and eternally unreconciled thereto. Her appearance accorded well with this smouldering rebelliousness, and the shady splendour of her beauty was the real surface of the sad and stifled warmth within her.

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Book 1, Chapter 10
Explanation and Analysis—Flame-Like:

Eustacia Vye is linked to the imagery of flames, fire and heat throughout the novel. This motif—and the metaphors and similes of fire Hardy uses when it occurs—refers to her inflammatory character. It also gestures to her passionate nature and her tendency to act destructively when out of control. In Book 1, Chapter 7, the narrator comments that:

Assuming that the souls of men and women were visible essences, you could fancy the colour of Eustacia’s soul to be flame-like. The sparks from it that rose into her dark pupils gave the same impression.

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Book 4, Chapter 1
Explanation and Analysis—Darkness:

In the following passage from Book 1, Chapter 7, Hardy establishes the motif of darkness, which becomes a regular occurrence in The Return of the Native. The narrator employs dark visual imagery and several metaphors and similes referencing darkness to underscore Eustacia Vye's inner turmoil:

Egdon was her Hades, and since coming there she had imbibed much of what was dark in its tone, though inwardly and eternally unreconciled thereto. Her appearance accorded well with this smouldering rebelliousness, and the shady splendour of her beauty was the real surface of the sad and stifled warmth within her.

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