Sherman Alexie's "Evolution" was published in his best-selling 1992 collection, The Business of Fancy-Dancing. With Alexie's characteristic dark humor, the poem examines the exploitation of indigenous Americans. It features a modernized version of the famous frontiersman Buffalo Bill (a.k.a. William F. Cody), whose 19th-century roadshow "Buffalo Bill's Wild West" sensationalized life on the frontier and battles with American Indians for entertainment and profit. This time, Bill opens up a pawn shop on a reservation where the local "Indians" go to sell their possessions. After they've pawned off everything they have, Bill opens up a "Museum of Native American Cultures"—selling a hollow experience of the same traditions and identities that he essentially destroyed. The poem works as an extended metaphor for the continued devastation and exploitation of native peoples.
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Buffalo Bill opens ...
... days a week
and the Indians ...
... a storage room.
The Indians ...
... for twenty bucks
closes up the ...
... head to enter.
Select any word below to get its definition in the context of the poem. The words are listed in the order in which they appear in the poem.
Alexie's Biography — A valuable resource from the Poetry Foundation.
Native American Poetry and Culture — A selection of poems and essays by indigenous writers.
Alexie Interviewed — The poet on his life, work, and wider issues around Native American identity.
The Story of Buffalo Bill — A short biography of William F. Cody, a.k.a Buffalo Bill.
Reservation Living Conditions — Striking statistics about living conditions on modern reservations.
Native Americans and Westward Expansion — More on how westward expansion devastated North America's indigenous peoples.