- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
As Chandler walks the Dublin streets, he envisions a bright future for himself as a poet. His visions of the future become quite elaborate and specific, and it’s clear that he pictures himself writing poetry not for personal expression, but as a way to gain recognition and success like Gallaher’s. Chandler would “put in allusions” in his poetry, not because they add to its meaning, but to gain praise from critics. Success for Chandler, then, seems to equate to status and public renown rather than the personal fulfillment that genuine artistic expression brings. His desire for praise and recognition comes…