- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
Nadia and Saeed’s connection to their phones—their attachment to the distant worlds displayed on their screens—is most pronounced before their government cuts off cellphone and internet service, at which point they find themselves at a loss, desperate to connect with each other and the outside world. In order to fully bring this dynamic to fruition and emphasize how devastating this loss would actually feel, Hamid makes sure to establish just how integral cellphones are to Nadia and Saeed’s respective lives. Indeed, they are “always in possession of their phones,” perhaps because they delight in the fact that these devices can…