- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
Robert Jordan recalls his past experiences in the war, during a bombing, painting a vivid image of the “fear” and destruction one faces as a combatant. The only thing one can do as a combatant, Jordan believes, is to believe in the cause and to fight against “all tyranny,” for the hope of a “new world”—the Republic, which becomes a near-utopian ideal for Jordan and the other guerrilla fighters in their struggle against the “tyranny” of the fascists. Battle to Jordan is both terrifying and a kind of “purging ecstasy”: there is something wildly liberating about fighting for a cause…