- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
To “see life steadily and see it whole” is one of the most important motifs in Howards End. Margaret is said to see the world “whole,” while Henry sees it “steadily.” Learning to see both ways at once, like learning to “connect the prose and the passion,” is the ideal human achievement in the eyes of the book’s narrator. Howards End is greatly concerned with the clarity of vision of its characters. Henry is repeatedly criticized for his “obtuseness” and his limited attention span, failing to notice anything that doesn’t serve his self-interest or that falls outside of his…