- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
The narrator reminds the reader of the deceptive danger of the countryside just as Robert and George are enjoying the rustic setting near Audley Court. This insertion of first-person narration reflects Braddon’s style, where she often adds personal observations in order to give the reader more context or further explain a setting or character. The description of murder in the countryside adds to the mysterious and gothic tone of the piece. Violence happening in peaceful situations also contributes to the theme of deceptive appearances. Like Lady Audley, the beautiful, innocent appearance of the countryside can hide the violent nature underneath…
