- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
After Robert Audley implies that Lady Audley first married and then murdered George Talboys, Lady Audley begins to plot to convince Alicia and, most importantly, Sir Michael that Robert is mad. She uses accusations of madness to discredit a troublesome family member, thus showing how one can use the Victorian era’s misunderstandings about mental health for dishonest means. This also shows Lady Audley’s moral depravity, as she doesn’t care if she must send a sane man to an asylum in order to protect her own secrets. She also shows how a woman can use her limited agency to influence a…