- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
After Petrocelli calls Steve a monster, he starts scribbling it across his notebook over and over until O’Brien stops him. Steve’s obsession with the idea of a monster and the manner in which he constantly labels himself with it suggest that he internalizes Petrocelli’s dehumanizing label of him, demonstrating the tragic manner in which dehumanized people often take a sub-human identity onto themselves to agree with what the rest of the world tells them. The concept of a monster, in this case, works as a symbolic reflection of Steve’s guilt and regret over his alleged participation in a crime, as…