- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
This is a pivotal moment in the play, because it’s the only time Rudyard shows true emotion. It’s significant that this happens after he plainly states that he misses Jack. Until now, he has kept his emotions at bay by focusing on things like honor, duty, and sacrifice—abstract ideas that, though he seems to truly believe in them, won’t change the fact that he’ll never see his son again. They are ideas that, to Rudyard, give his son’s life and death meaning, but they won’t allow him to actually talk with or be with his son. When Rudyard admits that…