- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
The narrator has just been expelled and boarded the train from school, and this passage—which closes out the chapter—reflects the narrator’s outlook and marks a turning point in his life. The narrator’s assertion that he has to “make a move” and his taking of a forward-facing window seat both imply that the narrator is looking toward the future. He doesn’t dwell on the past; instead, he is open to what lies ahead, even in the midst of failure. This calls back to Hemingway’s earlier advice that he should go out and find other things to know about, and here it…