- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
On the way to the state oratorical finals, Stargirl asks Mr. McShane to stop the car so she can revel in the desert’s springtime beauty. This is a delightful interlude of the “old” Stargirl, even though she’s still presenting herself as Susan. The desert is perhaps Stargirl’s most natural abode—the place where she’s in touch with her own basic nature—so the interlude is consistent with her personality. It also reassures readers that the “real” Stargirl hasn’t been truly effaced. More immediately, however, Stargirl hears an unusual mockingbird call and speculates that she’s hearing a prehistoric echo—the call of an extinct…