- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
When Mark is recovering from his head injury, he and Bryon reminisce about their childhood together, and Mark laments that they aren’t as close with some of the other boys they used to hang around with. This passage displays Bryon and Mark’s diverging attitudes toward growing up: Mark wishes to return to their old childhood dynamic, particularly the ability to simply mess around with a group of guys. Mark’s reference to the “one-for-all, all-for-one” motto –made famous by Alexandre Dumas’s The Three Musketeers—suggests that he wants to preserve the same swashbuckling antics and brotherly bonds as the main characters…