- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
Upon meeting Freddie in London, the Lord becomes convinced that cats have destroyed his beloved pumpkin—a notion that Freddie finds hilarious. This scene once more establishes a sharp generational divide between father and son. Whereas Emsworth views his pumpkin as a matter of grave importance, Freddie, like the reader, finds his father’s anxiety over the vegetable laughable. Freddie’s dismissal of the pumpkin, which the story has firmly established as a symbol of aristocracy and familial legacy, implies a shifting social attitude towards notions of heritage, particularly in younger generations. Unlike Emsworth, Freddie does not feel any inherent responsibility towards his…