- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
This is the final line in the story, in which Claydon tells the narrator that Mrs. Grancy belongs to him now. Having inherited Mrs. Grancy’s portrait from Mr. Grancy’s will, Claydon undid the changes that Mr. Grancy had him make to the painting over the years, restoring it back to its original portrayal of Mrs. Grancy as a young woman. In doing so, and in arranging a shrine around the portrait, Claydon feels like he now owns not only the painting but Mrs. Grancy herself. This implies that Mrs. Grancy’s beauty, as captured in the painting, is the only thing…