- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
These final lines of the poem occur after Belinda’s lock has mysteriously disappeared from the courtly battle and has ascended into the heavens to become a constellation. But in these final lines Pope appears to finally settle the question of the value of beauty which has recurred throughout the poem. He often paints Belinda’s and the court’s interest in her looks as morally wrong, since all looks ultimately fade, as Clarissa notes in her speech. On the other hand, he emphasizes that the superficiality of the world she lives in at least partially justifies Belinda’s concerns about her beauty, as…