- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
Roelf calms down after Simon stops him from making more crosses, and he contemplates his own experience with death. He remembers when his mother died, and he recalls watching a movie about mummies with decomposing flesh. He recognizes that Red Doek no longer looks like the woman he sees in his head, and now looks more like the decomposing bodies in the movie. Thinking about dead people as simply bodies helps Roelf develop his burgeoning empathy, as he realizes that all people, regardless of race or background, will be rendered equal by death. His memory of his mother also reframes…